What Can I Call This Potluck of a Post?

Intriguing window treatment, no?

Bisbee, AZ

It post is a miscellany, but I'll back and start with our 2021 trip to Bisbee, which is where my eye was drawn to that Kafka book set against a brown paper-covered display window. Some of you might remember a time when I warned against going to Bisbee on a Monday. Lesson learned. So this year we prudently waited until Tuesday to make the trek -- and found the town was closed up just as tight! The high point of the trip was being allowed to sit on the outdoor gallery of the public library (library itself closed; pickup only) to try to read a New York Times (available nowhere else in the county) in the wind. 

There are always interesting sights to see while walking around Bisbee, however, so the long drive was not a complete loss. There was that Kafka book in the window, after all. Not many posters advertising events, but a utility pole studded with staples caught my eye. And I don't remember this attractive building from other visits to Bisbee.

Now home of a recording studio, we were told

The amazing part of this thin-on-plot story is that we didn’t acquire a single book the whole day. Library, FOL bookstore, and Meridian Books (down the Rabbit Hole), all highlights of former trips to the county seat, were each and every one closed and locked. But yes, we do have plenty to read as it is. 

 

Reading -- and a Book Review

 

In general, I’m not one to observe a lot of official days and weeks and months, but I’ve made more of an effort for Black History, Women’s History, and National Poetry Month this year – really, don’t you think history should be inclusive every month of the year and that poetry should be part of our daily lives? Anyway, be that as it may, think what you will, I’ve been reading Thomas Lynch, Jim Harrison (always), Judy Juanita (below), Marge Piercy, and Anne Sexton the past couple of weeks, and it’s Judy Juanita I want to write about today. 

 

When a young friend asked me once, “What were the Sixties really like?” I told her it depends on who you were, how old you were, and where in the world and country you happened to be. Virgin Soul, Judy Juanita’s semi-autobiographical novel, published in 2013, was my first introduction to her writing, when an ARC from the publicist found its way to me at Dog Ears Books. Like her fictional protagonist, Juanita found herself “where it’s at” during her junior year of college. She had joined the Black Panther Party in 1967, and when Huey Newton was jailed he appointed her editor-in-chief of the Panthers’ newspaper, which began as a strike journal, resulting in the first Black Studies program in the United States. Since then Juanita has published a number of plays, poems, and essays, and now a new book of her poetry, Manhattan, My Ass, You’re in Oakland. 

 

The title is a preview of the poems in the book: Here is a poet who pulls no punches. Whether her subject is love, sex, or friendships, violence against women or racial injustice, her distinctive voice tells the story in a way you’ve never heard it before and might not have the nerve yourself to repeat. She has the nerve, though. Her voice is clear and unhesitating, her command of a variety of poetic forms sure, as she uses those forms in her own new ways. Juanita has performed her poetry on occasion, and though I’ve never seen her in person or heard her with my ears, I hear her voice in my mind when I read her work. I’m not alone, either. Kirkus Reviews has called her poetry “unsettling, important, and unforgettable.”

 

Manhattan, My Ass, You’re in Oakland

by Judy Juanita

EquiDistance Press

Paper, 101pp

$9.95

 

Horse and Dog Stuff

WJRA lineup

It isn't only books that take me to exciting places, though, and the Artist and I don’t have to drive all the way to Bisbee to have a good time. This past weekend was once again WJRA – Willcox Junior Rodeo Association meeting out at Quail Park. As we were leaving, after a very satisfying couple of hours watching and admiring and walking around with my camera (see my completely incomplete visual story here), I said with a happy sigh, “There’s nothing about it that I don’t like!” My happiness of the day included a very dusty little dog that reminded me of a smaller and much older and wiser version of Peasy. “Wouldn’t this be the perfect life for Mr. Pea?” I asked earnestly. 

old dog at rodeo

For now, however, we are making the most of our silly little snuggle-bug, whose "pack time" personality could never have been guessed by the skittish, fearful performance he put on in that cold, bare cell at the pound. 

silly boy at home

The World Has Always Been Turning

Our country today is politically polarized. The gap is widening between the haves and have-nots, with the middle disappearing. Is this the worst time in American history? How can anyone say? This is where we are now. A hundred and fifty years ago, none of us living now were yet alive.

A younger friend asked me once, “What were the Sixties really like?” Well, the answer depends on the person you ask. High school students and college students had very different experiences, military families quite different again, and the rich and powerful, as always – well, they live on a different plane from the rest of us, don't they? 

How old are you? Where did you grow up? Are you black or white, yellow, brown or red?

In the United States at large, we enjoyed great music in the Sixties -- and mourned terrible assassinations. The decade brought Black Power and the Black Panthers, a story told in the novel Virgin Soul, by Judy Juanita, but urban and rural dwellers knew the Sixties in very different ways, as Anne-Marie Oomen reveals in her memoir, Love, Sex, and 4-H.

Across the United States and elsewhere in the world, there were protests against the war in Vietnam until American troops were finally pulled out. But in southeast Asia itself, life in warn-torn Vietnam brought years of terror that did not end when the Americans left, or as the Sixties bled into the Seventies, because it’s one thing to have your country involved in an overseas war and quite another to have a war in your backyard.

Andrew X. Pham, author of Catfish and Mandala: A Two-Wheeled Voyage through the Landscape and Memory of Vietnam (1999), has just given me an unforgettable reading experience. His father, an engineer and “a man of regrets,” also a former Nationalist, was a prisoner of the North Vietnamese Communists following the American withdrawal. (An and his mother, highly enterprising and deeply superstitious, lived near the prison camp to watch over the head of the family, while other children lived with grandparents.) One of six children, An (his Vietnamese name) was the second-born. After his father was mysteriously released from prison, and before he could be recaptured and executed – the fate he expected, had the Communists learned of his background as a Nationalist propaganda director -- the family escaped from Vietnam.

An was eight years old when his family came to America, but growing up in California he remembered his Vietnamese childhood. Those memories were the inspiration for his return visit as a young adult, to explore by bicycle (on a limited amount of money difficult for native Vietnamese who never left home to believe is all he has) the country he left so long ago.

For Americans and for Vietnamese, the Sixties were a world-changing decade. One friend of ours volunteered for the draft with a buddy, right out of high school. His buddy never came home, and our friend still asks himself what his life would have been like “if I hadn’t gone to Vietnam.”

During his often difficult travels, Andrew Pham asks himself again and again, what his life would have been like had his family stayed in Vietnam. He realizes that his good fortune was very much an accident of birth. Different parents, different life. Seeing firsthand terrible poverty and corruption in the country that might still have been his home, he is grateful for his good fortune, despite resentments and prejudice he encountered growing up in the U.S.

The Sixties were a long time ago, an era sanctified in retrospect by some and reviled by others. If you weren’t around then, this obituary for Daniel Berrigan will give you some idea of what you missed during that period in the United States. There was a lot more to it than tie-dye and drugs, beads and funny clothes.

Rest in peace, Daniel Berrigan. You got your work done.

Book Review: VIRGIN SOUL (or, "What were the Sixties really like?")

“What were the Sixties really like?” When a younger friend asked me this question, in a moment I suddenly felt many years older, realizing that what was “just yesterday” to me was a historical period to my youthful friend. But how to answer her question? I’ve been thinking about it for years now (haunted by the question still, obviously), as another two decades have slipped past. Here's an overview from Wikipedia to get you started, if you were "born too late" to be one of us, but --

There can be no single answer to what the Sixties were like, because they were different for everyone who lived through them, even if only American experience is considered. How old were you in the Sixties, for starters? A little child, a college student, part of the workforce, or someone “over 30,” one of those the young were told not to trust? Male or female, black or white or yellow or red or brown? Living in San Francisco or Chicago; Selma, Alabama; Aberdeen, South Dakota; or in the wilds of Maine? Rich or poor or in-between?

Student, lawyer, secretary, grocery store cashier, factory line worker, teacher, or Peace Corps volunteer? A draftee in Vietnam, conscientious objector in El Paso, refugee in Toronto, or a protestor at Berkeley? Singing and playing in a rock-and-roll band? Member of the Black Panthers or Students for a Democratic Society, or Young Republicans, or the Country Club?

There were peaceful demonstrations, and there was violence, and there was the undeclared war, and there were drugs, and there was also the continuation of American suburban life, with big weddings and brides in white. Toward the end of the Sixties there was the Pill, but all along there were pregnancies (planned and unplanned), abortions, and young families, some hippies, others mainstream. And for those in their ‘teens and 20s, there was exciting music, poetry everywhere, plenty of available sex and drugs, a lot of lofty ideals, and a minefield of dangerous pitfalls.

That's why I say there is no telling what the decade was “really like,” except in terms of individual lives, but if you weren't there and want a close-up view I just read a new novel that presents a convincing picture through one particular window.

Virgin Soul

by Judy Juanita

NY: Viking, 2013

$26.95

We meet the novel's protagonist, Geniece Hightower, in Oakland, California, in the summer of 1964. Just out of high school, she enrolls in Oakland City College, “City,”

. . . a raggedy, in-the-flatlands, couldn’t-pass-the-earthquake-code, stimulating, politically popping repository of blacks who couldn’t get to college any other way, whites who had flunked out of the University of California, and anybody else shrewd enough to go for free for two years and transfer to Berkeley, prereqs zapped.

Geniece is a journalism major. Right away meets Huey Newton. Right away she loves sitting on the campus lawn, listening to the “black intellectuals and the white boys from the W.E.B. Du Bois Club talk.” Quickly she learns that light-skinned black students (“yellow, high yellow, sandy yellow, mellow yellow, sandy mariney, light brown, peach, or caramel skin; the line stopped there”) had one hangout, darker-skinned blacks like herself another. She lives at the Y (10 p.m. curfew) and works 20 hours a week at the county welfare department in Oakland. She’s launched into life but still has her aunt and uncle’s warning in her head:

“We want you to be a virgin until you graduate from college. If you’re not a virgin, you won’t graduate. Once you have sex, you can’t think about anything else.”

Judy Juanita’s novel is divided into four main sections, one for each of Geniece’s four years of college. Sophomore year she is introduced to Black Muslims and has her hair cut into a natural: “Sleek, short, very African.” She wonders what “being in love” feels like and if she is in love. No longer living at the Y, she allows a boyfriend to hold political education classes in her apartment, and she cleans and cooks for those who attend.

I knew I was becoming militant. I just didn’t know if I wanted to become a militant. Malcolm X, Betty Shabazz, the protesters, the sit-in demonstrators down south were my heroes. I loved them from a distance and on paper. But the militants I met, mostly the guys on the soapbox on Grove Street, were harsh and abrasive and condescending to everyone, not just white people. And they made people do things. . . . I didn’t want that kind of power over people. I just wanted it over myself.

Huey Newton isn’t the only real person readers encounter in the pages of this work of fiction. Bobby Seale is there, and Stokeley Carmichael, too. The war in Vietnam is audible always in the background.

Junior year is a turning point for Geniece, as one black group goes one way and the Black Panther Party (BPP) for Self-Defense another. She enrolls at State and lands a work-study job in Admissions, date-stamping application entries from all over the world.

Lives came out of the words: how little money one’s father made; the off-the-wall place one had traveled to; family crises; serious illness defeated; political activity noted like a badge of honor – “I belong to the W. E. B. Du Bois Club.” They weren’t afraid: “I participated in the freedom rides.” Stuff I never mentioned: “The protest changed my whole life.” State was a destination for radical students: “I’m a child of a union family.” Dissidents. The streets of Berkeley were the pull for people bucking the system. Nonconformists. State was pulling people like me. I was not an in-between. I was a junior facing a cast of thousands wanting to be right where I was, a part of something big, essential, swimming in the big ocean.

In the course of her college career, it is not until her junior year that Geniece sees herself at the center of social change taking place across the country. Before that she felt like “an in-between”; now she is, as people said in the Sixties, “where it’s at.” But she is not yet where she will be at the end of her senior year. . . .

I don’t want to give away too many details of this story, because it’s the details that make the central character’s life a real one and make that time period come alive. Her social and sexual and romantic relationships are important to her development as an adult. Her feelings for journalism wax and wane, but editing the Panthers’ newspaper is an important job she takes very seriously. Also with the BPP, she confronts the question of guns for self-defense, and a volunteer job through the Tutorial Center introduces her to two young, self-sufficient black girls neglected by their battered mother. Education is not limited to the classroom. (It never should be.)

But Geniece Hightower is determined to graduate in four years, so she wisely avoids serious involvement with drugs. While music is part of her life, it also remains, like Vietnam, in the background. Race, class, and gender relationships – politics within and beyond the university – the future she will have as a Black American woman – this young woman maintains ties to her family at the same time she is finding her own way in the world.

Personal, political – political, personal – yes, this was the Sixties. Judy Juanita gives readers a very real look at that exciting and turbulent time through the eyes of her strong, questing protagonist. There are pages when the prose lifts into lyricism, so it should be no surprise that the author’s writing has for years encompassed poetry as well as reporting. This is her first novel. I’m glad she wrote it and hope it won’t be her last.