The Last Word? Probably Not.

 

“You always have to have the last word!” 

 

That’s a show-stopper, isn’t it? Because if you respond, of course, it’s because “you always have to have the last word,” while if you remain silent, the accusation against you stands unchallenged. 

 

As the world turns and history marches on, though, mortal humans’ talking and writing days are time-limited, so no one ever has the last word. Nietzsche tried to have it by preemptively declaring that no one yet alive could understand him, but he’s been gone quite a while now, and challenges to his writings have yet to stop. What I’m getting at, however, in a very roundabout way, is that today will probably not be my last word on the subject of grief -- but as grief is once more my subject today, anyone who’s tired of reading about it might want to go elsewhere now.

A friend who has been in my life longer than any friends other than my two sisters recommended a book to me, Paul Kalanithi’s When Breath Becomes Air. The author was a resident in neurosurgery, apparently on the verge of a brilliant career, when he was diagnosed with the brain tumor that took his life shortly after graduation. Writing his book (his only book, what with his life being cut so short), telling of his lifelong search for meaning and his feeling that surgery was a calling and not a “job,” then recounting what it was like suddenly to be, himself, the patient – this was important to him at the end of his life, probably second only to his love for his wife and baby daughter. I read most of the book with tears prickling but not falling. It was his wife’s epilogue that brought on sobs, when she wrote –

 

I expected to feel only empty and heartbroken after Paul died. It never occurred to me that you could love someone the same way after he was gone, that I would continue to feel such love and gratitude alongside the terrible sorrow, the grief so heavy that at times I shiver and moan under the weight of it. [I added the emphases.]

 

It never occurred to me, either. It was a complete surprise. I was astonished and amazed at the gratitude that washed through me along with the grief, almost immediately, and now, a year later, I continue to be amazed by – and grateful for – the gratitude itself, because it is not something for which I can take any credit. If I’d had to work to feel it, I might well never have gotten there. 

 

Other widowed persons, men and women both, have had experiences different from mine. Some lost beloved partners so suddenly that there was no time for a single moment to acknowledge the final parting, while others went through years and years of gradual and painful diminishment and loss. Just as every relationship, every love affair, every marriage is unique, so is every experience of losing someone to death. The last gift of time, and the gratitude for that time, is one more way that I was blessed. One more gift, after so many, and I continue to be grateful to be able to feel it. 

 

(Metagratitude?) 

 

Let me be clear. Gratitude doesn’t mean I feel any less grief. The poet Saeed Jones said in a recent interview, reflecting on the loss of his mother (to whom he was very close), that happy memories and the pain of loss form “a loop that you live in” after the beloved dies, that loop a part of you from then on. We are forever changed. I don’t feel less grief, but I have, I think, probably been spared much of the anger that other mourners sometimes suffer.

 

My grief has also made me more open to the grief of others. Much as Dr. Kalanithi learned from his own experience as a patient the feelings his own patients must have felt all along, the shattering experience of losing a beloved can make us aware, in ways we could never have known before, what it means for others to lose those closest to them. This probably does not always happen – one might totally shut down to others instead – so maybe the opening is what someone who calls grief itself a “gift” (Stephen Colbert) was talking about.

 

“The loop you live in.” “Love and gratitude alongside the terrible sorrow.” “The bitter and the sweet … forever paired.” 

 

Loss without love would be trivial: “It didn’t work out.” Whereas deep love entails, in most cases, eventual piercing loss. Mais l'amour vaut bien la chandelle. (Or, to quote Billy Joel, “I’ve been a fool for lesser things.”)

 

This is who I am now: someone who was loved deeply and loved deeply in return and still love. But,  “My travels have changed me.” There is no "closure." There is no "recovery." Loss does not end. We just go on, changed.

 

Day By Day

A new day dawns...

My “New Normal” Life

 

There were a couple of big songs with the title "Day By Day," very different in nature. Sarah Vaughn sings the first one, a love song, here. For the song from “Godspell,” sung by the Fifth Dimension, visit this video. 

 

My own “day by day” life is something else right now: the challenge of another 24 hours without the love of my life but with a challenging little puppy for a companion. If I’d been offered the trade – cute as the puppy is -- I would not have taken it. This is, however, what life has given me, and having Sunny Juliet as companion is better than being all alone. Also, everything is beautiful these days in Leelanau County, orchards full of bloom along nearly every road. “We live in a beautiful place,” the Artist so often remarked. I mustn’t lose sight of that truth.

 

When SJ and I arrived home from our cross-country odyssey a week ago Saturday, and she was introduced to her Michigan house and yard for the first time, the air felt like June, at least. It cooled down to an April kind of evening, but those first spring days back in Leelanau were followed by others that felt way too much like summer. “If May is this warm, what will July be like?” everyone wondered. Kind of worrying.

 

Then my puppy didn’t feel well the following weekend. (Of course, the weekend! When the vet’s office was closed!) Her little head and tummy felt unnaturally warm, feverish. She was lethargic and had no appetite. That was very worrying! Her behavior and demeanor were so unlike her that I yearned for her usual maddening naughtiness. Please, let my puppy not be sick!

Not herself

Monday I took her to see the vet, and by that evening, after IV fluids and antibiotics, she was ready for a good dinner. The furnace came on that night, also, and Tuesday morning was so chilly I had to layer up to go outside, with Sunny so much herself again that I could hardly get my socks on, what with her wanting to make a game out of pulling them off my feet before they were all the way on. Cool weather, challenging puppy. Back to normal. 

"Mine!" She has recovered!

And so we go forward, Sunny and I, day by day. 

...and comes to an end.

 

My Recent Reading

 

Last night I finally finished a nonfiction I began reading while still out in Cochise County, Arizona. The Mourner’s Dance: What We Do When People Die, by Katherine Ashenburg, was inspired by research she undertook after her daughter’s fiancé was killed in a road accident, so that, instead of the wedding she had been planning, Hannah found herself participating in a funeral for the young man she had planned to marry. Ashenburg reviews mourning customs around the world and historically in Western culture but comes back again and again to mourning rituals that Hannah devised for herself, since in today’s United States there are no universally prescribed and accepted forms. 

 

At first, I was interested in how naturally Hannah’s homegrown practices had welled up in her, and how similar they were to age-old ways. More and more, as I thought about mourning customs, many of them made psychological sense to me. 

 

This is an unusual book, both personal and general survey, but the two aspects join well. For example, in the chapter entitled “Sad Clothes,” a history of mourning dress (with Queen Victoria centrally featured), the author reports that she asked her daughter --

 

…if she wished she lived in a world where she could wear a universally understood mourning sytmbol, like an armband, and she said simply, “I would love that.” …Other mourners corroborate Hannah’s feeling. A few months after her father died, the writer Barbara Gowdy was walking down the street, missing him. A stranger in the opposite direction took note of her woebegone face and jokingly ordered, “Smile!” Months later, she was still angry as she remembered the episode: “That never would have happened if I had been able to show by my clothes that I was in mourning.”

 

Hannah’s personal mourning garb was a “vivid orange vest made of padded parachute silk,” a Christmas gift from her fiancé. My own widow’s weeds are an old, faded t-shirt of the Artist’s, and I also wear his watch and, almost every day, with jeans, one of his belts. 

The author mentions more than once that during gatherings of mourners, Hannah was offended by social conversations having nothing to do with Scott, her deceased fiancé. It is all too true that "life goes on" and that people have many personal concerns of their own besides the loss of a friend or acquaintance. But grief is unavoidably self-centered. Regardless of how many friends and relatives I lost prior to losing the love of my life, with the loss of him I felt like -- knowing full well that it was not at all the case -- the first widow in the world and the most deeply bereaved lover of all time. So when someone says helplessly, "I don't know what to say," I am not offended in the least; when they utter stock phrases, such as "I'm sorry for your loss," I appreciate the effort; and any time someone has a story or a personal reflection on my husband to share with me, I am grateful. When no reference is made to his death, however, I feel as Hannah did, resentful and aggrieved. One world has vanished, and another, left behind, has been shattered. How can that be ignored?

Another nonfiction book I read in the past week concerned the last days of the author Marcel Proust. Proust at the Majestic: The Last Days of the Author Whose Book Changed Paris, by Richard Davenport-Hines, started off slowly for me, with far too many facts and names crammed into the first chapter, and there were many repetitions through the work, but it held my interest and kept me company and lulled me to sleep for my first week back in Michigan. The detailed report would be meaningless to anyone not familiar with Proust’s work, but for those in love with A la recherche du temps perdu it is fascinating to see the concentrated effort needed for the writer to finish his work, as well as to learn that all Paris, from titled nobility to cab drivers, came to a shocked standstill when they heard of his death. 

 

 

County in Bloom

 

Cherry blossom time!

I was only home a week before the cherry orchards burst into full bloom, along with all the wild cherries, and now my little apple trees, too, are flowering, and I find myself telling Sunny frequently what David so often exclaimed to me, “We live in a beautiful place.” I imagine Sunny appreciating the landscape with her nose, taking deep draughts of orchard tree and dandelion perfume. Lilacs will open soon. Orioles are passing through! (See more blooms here.)

And I will be opening the bookstore soon, though "regular" hours may be elusive for a few more weeks, as my life remains in disarray, regardless of how many tasks I check off the list of things to do.

Mourning Is a Mountain Road

Don't say you weren't warned.

 

When Peter Pan, the little lost boy who wanted never to grow up, found himself on Marooner’s Rock with the tide rising all about him, he looked at the bright side and said stoically, “To die will be an awfully big adventure.” That was in part the view of the author of Meetings at the Edge, a book highlighted in my most recent post. Today I am thinking of adventures in a broader sense, those sought and unsought, adventures geographical and spiritual, with death only part of the picture.

 

I did not plan to go on a hair-raising expedition on Wednesday. I just had to get out of the house and go somewhere – anywhere – to recover from my most debilitating meltdown since losing the love of my life. Everything – and I mean everything! – seemed overwhelming and unbearable! But I had just bought new tires, mounted only that morning, and I had three-quarters of a tank of gas, so driving down the highway a few miles to Chiricahua National Monument didn’t seem an outlandish idea. Maybe, I thought, on my way down the road, I wouldn’t even go that far. Maybe I’d take the road to Fort Bowie but not even as far as the parking lot, maybe just pulling off at some scenic spot along the way. There was a car behind me as the turnoff got close, though, so instead of slowing down I kept going. 

This way to Pinery Canyon --

Then, should I take the road to the Monument or stay on the main road? I chose the Monument road, but at the T intersection, where turning left takes one into the Monument on a paved road and turning right on gravel and sand leads to Pinery Canyon, I turned right. Again, it was the impulse of the moment. The Artist and I had explored partway up Pinery Canyon once but had always “saved” the expedition over the mountains for another time and so had never together faced the terrors of Onion Saddle at the top of the range. Well, I had no plan to face those terrors on Wednesday, either. But the farther I went into the Coronado National Forest, the more committed I became. Accidentally, as it were. Because turning back seems ridiculous at a certain point, don’t you find? 

Camping spot along the dry creek bed

Once in a while I would see a campsite (a couple of small tents, a few clothes hung on a line strung between two trees, a fire circle made of rocks), and very occasionally (less than half a dozen times in what was finally 30 miles or so) another vehicle approached and the driver raised a hand laconically as we passed each other, but most of the time there was only me, the puppy, and maybe a deer off in the trees. I found myself driving well below the 20 mph speed limit. Once I pulled over to walk the puppy and saw that indeed the rocky creek bed was dry as a bone. We went on….

 

An unplanned adventure doesn’t have to fall from the sky like a tornado, all of a sudden. It can creep upon one gradually, and that was my experience of Pinery Canyon. At one primitive intersection I pulled off when three other cars appeared, two behind me and one ahead, relieved that no one was going my way!

 

…The road narrowed, and the canyon, now on my left, deepened. Loose rocks in the road presented occasional hazards. Basically, as one ascends the mountain, one is traveling a one-lane road with the potential for two-way traffic. 

 

A sign appeared: Portal, on the other side of the mountains, was still 20 miles off, twenty miles of narrow, winding, climbing mountain road! Going on from this point was a big commitment, as there might not be further opportunities to go back, whatever the road ahead presented. Still not completely sure I wanted to go all the way, I proceeded cautiously. Upon reaching a sign that announced Portal still 19 miles distant, I reflected on the length of a mountain mile. Nothing like a mile on flatlands! But I had hours of light, nowhere I had to be, so I might as well keep going.

 

You know that feeling at the top of a Ferris wheel when you pause for a nanosecond and then begin the downward plunge? A glance into the terrifying abyss off the side of my road turned my legs to jelly in just that way. Glancing over was irresistible, but I could not look for more than the briefest glance, even if I stopped stock-still. It was too frightening. My photo does not convey the terror of the vertiginous drop!

Edge feels all too close

At one point the road seemed to be leveling off and even descending, and I wondered, looking off to nearby peaks, if I had passed the highest point. Could it be? Hey! Easy-peasy! My relief was short-lived, as the road began to climb once more, twisting like a snake, making blind hairpin turns – and still it went on and on, as if it would never reach the saddle, much less arrive at Portal on the other side of the range. 

Sometimes I could see below me a portion of road just traveled. Other times the coming road appeared above, across a chasm, and I prayed there would be no other vehicles coming toward me around the turns.

Road to come

Road traveled 

 

At last! The highest hairpin! Onion Saddle! There was the Sulphur Springs Valley spread out below me, my Arizona home valley, a distant panorama – and around the turn the San Simon Valley appeared far below, with its long views into New Mexico. I had crossed Onion Saddle! “If we can do this, we can do anything!” I said aloud to Sunny, tears in my eyes.

Another hairpin

Sulphur Springs Valley

San Simon Valley

Miraculously finding a pull-off spot a couple of minutes later, I paused to catch my breath, get out of the car, and photograph some lupines in bloom. Another car went by, also going toward Portal, and I was glad to be off the road just then and not pressed to go faster by someone behind me. 

Water in the road? Wonderful surprise on the way down! I hadn't counted on seeing and hearing running water.

And a blooming tree! That too looked like some kind of miracle, surrounded by oaks, junipers and pines.

When another decision point appeared, I chose the nine miles to Portal, knowing that the last stretch would be paved and easy. And anyway, Paradise could hardly paradise for me without the Artist, could it?

There were the stunning rock faces that I remembered from a visit to Portal and the Southwest Research Station when the Artist and I had approached it with a visiting friend via I-10, down 80 through New Mexico, and by way of the Portal Road, a long, roundabout way (though they are all “roundabout,” in one way or the other) but much less hair-raising than going over the mountains. My road would be basically downhill from here on. Downhill in low gear, of course, careful not to slide on loose rock. 

The most extraordinary sight, however, appeared when I was a scant few miles from Portal, and it was one I did not capture with my camera. Imagine, if you will, seeing a turquoise swimming pool, like something out of a David Hockney painting, and a woman lazily stroking her way from one end to the other -- in a setting such as this!

 

Well, I shed many, many tears while crossing the mountains, thinking of how the Artist and I had talked of making this daring trip sometime and how he would have loved the long panoramic views and how precious it would have been to share the heart-stopping fears, as well as the soul-expanding thrills of the mountain road, with all its ups and downs and edges and startling sights. How can my own experiences ever again be fully real without him? 

And I thought as I wound my way up and down the mountains that grief is a mountain road: There is the abyss of utter loss, the chasms of loneliness, the heart-stopping fears of all that lies ahead. Will I be able to do this alone? For how long? There are also glimpses of beauty, both in memories and overflowing gratitude. But the road seems endless! And just when you think it’s leveling off, it becomes once again a narrow, rocky climb, and sometimes you need to stop and have a meltdown -- but then you must go forward again, because there is no turning back.

 

I don’t know if the mountain road of mourning has a destination, some spiritual version of Portal, with a welcoming café, cool beverages, and happy families on vacation. It would be lovely to think a reunion awaited at the end of the trail. Or maybe (and I think more likely) the spiritual road just keeps going as long as one lives but comes gradually down off the mountain and takes a gentler route, with only occasional blinding storms. Really, I don’t know. I guess I’ll find out. 

All I can say for certain is that I don’t envisage making the physical drive over the Chiricahua mountain range again, and it’s a foregone certitude that I will never again lose the love of my life. But my afternoon of despair did give way to a minor triumph of sorts. I crossed Onion Saddle and lived to tell the tale.

 

Taking paved roads home through New Mexico at sunset

Save Your Kids the Trouble?

I stacked boxes on front porch

My mother was not a hoarder, by any stretch of the definition, but she did accumulate a lot of stuff in her home of 68 years. Three children grew up there. Also, my mother loved clothes and jewelry and knick-knacks and holiday decorations. She was a reader — books, newspapers, magazines. (No, she did not stockpile the old newspapers and magazines: those were recycled, as were many of the books that didn’t come from the library.) Photographs, clippings, old family-designed and -crafted holiday cards, and other souvenir mementos meant a lot to her, too. So when she died recently, my sisters and I had a lot of sorting to do, and we haven’t finished the job yet. Not everything that feels significant during grieving is personal, as I wrote in my last post, but a lot of it really, really is.

And there were some wonderful, heartwarming surprises awaiting us! One priceless treasure was a scrapbook our mother had put together in the middle 1940s, when she and our father were dating, then became engaged, and eventually married in Chicago and embarked on their new life together in Aberdeen, South Dakota. My sisters and I had never seen this scrapbook before. It was hidden away (why hidden? simply forgotten?) on the back of a top shelf. Along with saved slips of telephone messages and theatre programs and tickets, our mother had written notes on the pages to which the souvenirs were pasted. 

On the first page of the scrapbook is a theatre program from early 1946. My father (not yet my father) had come by train from South Dakota (where he led a survey crew for the Milwaukee Road) to Ohio to visit his father and stepmother in Columbus and stopped in Springfield on his way. In Springfield he and my mother (not yet my mother) attended a play. There is a note left at my mother’s office (she worked as a secretary after high school graduation; the college scholarship she was awarded would have paid half her tuition, but her parents could not afford the remainder) saying that “Mrs. Gilbert” had called. That would have been my father’s stepmother in Columbus. Subsequently my mother made a trip out to South Dakota to see my father, and they became engaged. We girls did know about the trip and the engagement. As my mother said, she knew she’d better come home with a ring after traveling so far to visit this man!

A letter dated August 23, 1946 (not pasted into the book), from the woman we always called Auntie Grace, our mother’s best friend and roommate before Grace and Gene were married in 1945, was signed “‘Becky,'” Gene & the girls,” her maiden name being (I think) Becker, and she and Gene were married in August of the previous year, so the twins must have come along right away. “Just a year ago today you arrived in Kazoo for my wedding. Seems like years have passed since then!” She writes in reply to Nora’s news that she and Lloyd are engaged to be married. “Believe it or not I wasn’t even surprised — just ever so happy for you. I guess I’ve sort of known all along that “this was it.” It just sounded “right” for some reason or other. I called Gene right away and when I said “Nora’s engaged!” he just said “Yes” — he’d expected it too.” Grace/'Becky' hopes Lloyd will be transferred from Aberdeen, South Dakota, to Chicago so the two couples will live closer to each other. That didn’t happen, but in 1950 my father changed jobs and went to work for a smaller railroad (from the Milwaukee Road to the Elgin, Joliet, & Eastern), and he and my mother and I moved to Joliet, 45 miles southwest of Chicago, where my two sisters were born. 

newspaper wedding story and wedding corsage

On the page with the newspaper story of their wedding, with my mother (not yet my mother) looking radiant and beautiful, she had written by hand on the now-brittle page, “My lovely double white orchid corsage — many envious glances were directed at this!!” (My mother was the queen of exclamation marks all her life!) Wedding luncheon at the Blackhawk Hotel in Chicago: Grace and Gene were there in Chicago for the wedding, along with my mother’s mother and Phil Mueller, best man. Who was Phil Mueller? HIs name is unfamiliar to me. 

“On Decoration Day [this would have been 1947] we moved into Ted & Anne Streibel's while they were out of town for the summer, Ted on the Sperry Car, & Anne & children visiting. August was a terrifically hot month — and Dr. King says I’m right about being pregnant! On one of the cooler evenings we took in our first rodeo — Edna joined us (Bob in Madison now).” She was pregnant with me — barely — and so in a sense my parents’ “first rodeo” was mine, too, as I attended in utero.

Birth announcements, holiday letters, theatre programs, newspaper clippings — she saved everything, but there is nothing more pasted into the scrapbook after the first childless Aberdeen days. Once the first baby came along and then the move to Joliet, Illinois, and, in time, two more babies, my mother’s paper mementos remained loose, in boxes and envelopes. For example, as a senior in high school, I received a National Merit letter of commendation, along with five others in my class. Two or three were awarded scholarships, but our superintendent is quoted in a newspaper article as saying he is proud of all of us. (One of the other letter recipients, a boy from my homeroom, I learn died two years ago. How is that possible?) Ephemera, all of it.

Her daughters only saw our mother’s scrapbook after she died, when one daughter discovered it high in a bedroom cupboard. Had she forgotten she had it? What if my mother had decided to clean out those cupboards and “get rid” of all that old stuff, “to save her kids the trouble”? I shudder to think of what we would have missed!

Not all objects remaining in the family home are equally precious, but each speaks to me of my mother: 

Child scribbles -- mine? -- in an old looseleaf cookbook

Battered box heavy with coins to be donated to church ladies' circle

Souvenir Leelanau shirt from July visit

Cast iron skillet perfect for cooking a single egg

A grade school class picture, she 2nd from L in 2nd row

With her brother, stepfather, mother, and sister

Not stylish, but warm -- and she loved it!

Also, going through these things together has been and continues to be an important grieving and bonding experience for my sisters and me. Our mother’s death was unexpected. I thought she would live to be 110. She was fine only the day before she went to sleep for the last time. In one way, you might say it’s “trouble” or “a lot of work” to go through her things, and so it is, but that’s not the whole story. These tasks are valuable to her children in their mourning process.

Sister Deborah

Sister Bettie

Death and Donkeys

Donkeys outside Arizona ranch bookstore

Death, donkeys, and books, that is. Let me explain.

We can probably agree that life is a mystery, and love is strange, but nothing is stranger or more mysterious than death, and not that every death feels the same, for each brings its own universe to bear upon the bereaved. When one’s mother dies, whatever her age, a watershed comes to divide life into before and after. And, as I’ve noticed with other people in their days of mourning, the most trivial and contingent encounters can become magnified into significance within the aura of death.

My son and my mother

My mother would have been 96 years old in October. She was still living in her own home, doing her own laundry and fixing her own meals, very active socially and in her church (overlapping domains, those), enjoying meals out with friends, spending time with family, reading books and newspapers, working crossword puzzles, and caring for her two companion cats. We (daughters and sons-in-law) worried about her going up and down basement stairs to do laundry and tried to persuade her to think of selling the old family home and moving to an apartment, but she “wasn’t ready,” she said. And so one day her youngest daughter took her to the doctor (she was fine) and downtown to pay her property taxes, and later that day she talked to her middle daughter on the phone. I would have been calling or sending her a postcard from Lake Huron or both the next day but instead got a message that she had fallen asleep in her chair and not awakened. 

A good, long life. A good, peaceful death. And yet, now, for her daughters, nothing will ever be the same again. 

An old cookbook I had never seen before

The Artist and I had looked forward to a little getaway after our work-filled summer, so we were over in Alpena, after an overnight in East Tawas and breakfast with friends, when the news came to us. We had crossed the state west to east on Tuesday, recrossed it from east to west on Wednesday, and covered most of the lower peninsula from north to south on Thursday. I took with me the book I’d taken to Lake Huron, A Manual for Cleaning Women, by Lucia Berlin. In every story that mentioned death, that event jumped out at me, but Berlin’s writing, so moving, affected me deeply on every page. Yet the sentence that engraved itself in my heart, because of the time of my reading, was a tearful exclamation from the author’s sister, dying of cancer, which Berlin made part of one story: “I’ll never see donkeys again!” 

My mother will never see Michigan again. I’ll never see my mother at Sunrise Landing again. Donkeys…. Yes, I can easily imagine shedding tears at the thought of never seeing donkeys again, although in my case it would probably be horses. My mother, though — I don’t think she had time for a thought of anything she might never see again, dying peacefully in her sleep as she did. 

She had a lot of clothes but wore this jacket a lot

My husband and I were staying in my mother’s house, the house she occupied for 68 years (I lived there for almost 16 myself), when I came to the end of Lucia Berlin’s book, and I needed something else for those dark but wide-awake 3 a.m. hours. My next choice might seem a strange one — a murder mystery, Critical Mass, by Sara Paretsky -- but circumstances made it a logical choice. Not only are Paretsky’s novels are all set in the Chicago area (my mother lived 45 miles SW of the city), but my mother and one sister and I (the other had a scheduling conflict) had gone to see and hear Sarah Paretsky in person onstage in Traverse City where she appeared as part of the National Writers Series in the fall of 2013. 

This particular volume was also a copy signed by the author and with one of my mother’s address labels on the front-facing endpaper. So whenever I picked up the book, and as I turned the pages, I was reading a book my mother had held and read, written by an author we had gone together to hear speak, and when Paretsky described farms, cornfields, and small towns south of Chicago in the novel, the terrain described (minus murdered bodies) evoked memories of my Illinois girlhood, 4-H and all, and all of us were connected by the physical book as well as the story it told. 

In her kitchen

Years ago, someone I knew only slightly wrote a quasi-philosophical paper around the time of her father’s death, and I was perplexed by some of the books she mentioned in the paper, books that spoke to her at that time in tones of deep significance but that seemed to me tangential at best to her theme. I understand her state of mind better now. In such circumstances, everything is highlighted, foregrounded, important — but by “everything,” I don’t mean contemporary world events as much as the weather, the season, chance encounters and random remarks.  

Both of these books are well worth reading, whether or not you pick them up in a state of grief. For me, though, they will always have added depth, due to the associations that will always cling to them for me.