My Own Personal "'Hamlet' Back-&-Forth"

 “What kind of boat is she?”

 

An embarrassing question; for it was suddenly apparent that this small craft could not be classified. She was neither sailor nor steamer; she was not a trader, still less a yacht. A roof, the width of the beam, had been raised over a black, flat-bottomed hull; small square-paned windows had been cut in, and a short mast raised above. Space had been left in the bow for anchor and ropes; in the stern a tiny deck gave just enough room for the sweep of the tiller.

 

“She’s a—well—she’s a painter’s boat.” 

 

The San Luca, by Cilette Ofaire, book’s title taken from the name of the boat in the travel narrative, was on a bookshelf I was looking through at home. I wondered why it hadn’t been on the shelf with the houseboat books, where I would have found it months ago when moving those books from living room to office. Although the “painter’s boat” was not exactly a houseboat, they did live aboard for years, the husband and wife, both of them painters. (It should really have been called a “painters’ boat,” with the apostrophe indicated plural artists.) In any case, the subject matter moved me to set aside a novel I’d planned to read at bedtime in favor of traveling aboard the ‘San Luca.’ 

 

They begin in Germany, with the plan of giving up cheap apartment hunting and the dreariness of even cheaper hotel rooms in the years following World War I, to take to Europe’s canals, living and working in their waterborne vessel. 

 

Charles had found her in a partly drained canal in the dreary marshes bordering the Elbe between Hamburg and the sea. She made us think of a peddler’s booth abandoned after a fair, or a broken-down circus wagon left by the roadside. On her prow she had carried the carved wooden head of a dragon, set off by daubs of green and yellow, and along the sides of the hull had been painted wings which ended in a sort of tail vanishing into the rudder. We could not help smiling at her absurd, helpless air.

 

Charles and Cilette did not have Harlan and Anna Hubbard’s drifting voyage down the Ohio and Mississippi rivers. Sometimes they had an opportunity to moor in some lovely pastoral backwater, but just as often they were towed from one city to another in a long “train” of barges, a tugboat the motive engine of the train, past factories and cranes and sad little remnants of pathetic, bare-limbed trees. And in fact, being towed by some other vessel seemed their primary way of moving, from Germany to Czechoslovakia to Holland and beyond, in a world of customs officials, police, required permissions, and rules.

Intermission in Northport

I left my reading at the end of Part I to begin another day, first outdoors with dog and then indoors at bookshop. Part I of the story had ended sadly, with the suspicious disappearance of their little dog in Amsterdam, suspicious because neighbors on hand had complained about the boat being moored on “their” canal, and one had falsely claimed to the police that the quiet, sleeping dog “barked all night.” 

 

After a couple of early customers, the shop settled down to a dead quiet until, one by one, friends trickled in. Even before being introduced to one another (those not already acquainted), lively conversation ensued. Books were purchased and ordered, recommendations made, questions asked, until the talk ranged far and wide from Waukazoo Street, ceasing only a few minutes after closing time. It was a good day in Northport. And the next day, Saturday, would be Independent Bookstore Day! 

 

But first, back home to Sunny. In the rain. A short walk under an umbrella, dinner preparations, and then an hour of relaxation, the momma with her book, Sunny with her bone. 

 

Back to the Boat

What a surprise awaited me at the beginning of Part II. Charles and Cilette sell their boat! Right in the middle of the book! The new owner, a friend of theirs, gives it a new name, and C&C purchase another boat and christen it ‘San Luca’ to continue their voyaging, now through Belgium and on to France. 

Early in the story, we were told that Charles “knew how to create an atmosphere of intimacy out of the barest of materials” and thus transformed the droll, abandoned, dragon-headed boat into a waterborne home and studio to two wandering artists. Charles’s ingenuity is exercised once again on the new boat, a “lamentable figure” when first they see her, “streaked with rust” and further disfigured with “ugly red paint.” As soon as they found her,

 

…Charles began to draw up plans: taking her to pieces, putting her together again, modifying her to fit all our needs and our wishes. 

 

“The entry here,” he said aloud, “will become the living-room.” He shut his eyes and Cilette knew that he was building the wall over in his dream.

 

The Artist's houseboat in Leland, Michigan!

Oh, what memories such passages evoke for me! The Artist whose life I shared was a boat dreamer, also, and could not see an old hull anywhere on land or a smart vessel in harbor without making elaborate mental changes, sometimes even committing plans and sketches to paper, and so whenever we would read aloud to each from books such as this one, he could not bear to rush through descriptions of renovations and would often say, if I were the one with the book in hand, “Wait. Read that last part again. I didn’t quite picture it.” 

 

Daydream material

Sketching a remodel....

Then Back in the Bookstore

On Saturday, April 26, the sun came out in Northport for Independent Bookstore Day!!! More importantly, probably, from a traditional Northport point of view, it was the day of the annual Scott Brow Fishing Derby for families of young children up at the millpond. Some people came for both books and fish, though, and that worked fine.

 

Discussing movies and TV series with a customer-friend from Cedar, I needed to check on the date of the 19^th-century establishment of the town that became the ghost town where the Artist and I spent several contented winters. Imagine my horror, in looking up my own blog post from 2015, to discover that I had mistyped the date for the first Dos Cabezas post office! It was, of course, 1879, not 1979! All this time, and of all the people who had read that post (a popular one because of its subject matter), no one had corrected me! It’s kind of a hassle to make a correction to a post that far back in time, but I persisted until victory was mine.

 

Two dogs visited the bookshop on Saturday, Charlie and, later, another little dog about the same size but held in the owner’s arms. Friend Lucia also stopped by (though she had bought books only the day before) to wish me a Happy Indie Bookstore Day! 

Always good to see Lucia!

My bedtime book on Saturday was, once again, Ellen Airgood’s South of Superior, my go-to comfort book, the one that soothes my soul in troubled times and strengthens my resolve.

 

An excerpt from one of my favorite books

 

…It was hard to say who the “real” people were. She didn’t have anything against most of the new people, not the retirees or the summer people or tourists or even the snowmobilers, not on a case-by-case basis, except that they tended to expect too much, to assume too much. But they paid their taxes and kept their lawns mowed and volunteered at the school and spent money in the local stores and had as much right to be here as Gladys did, she realized that. And McAllaster had always been a tourist town, a resort town; her own parents had made a living off that fact. 

 

But things were changing fast now. Too fast. Half a dozen new summer places got built on the beach every year, and no one was content with a regular house, everyone had to have a mansion. At this rate she wouldn’t be able to afford the taxes on the house she’d lived in for more than fifty years….

 

-      Ellen Airgood, South of Superior

  

On the road!

 

Last time I went anywhere farther from home than Benzie or Grand Traverse County? Last fall I ventured all the way to Cadillac, and in late spring of 2024 I made it up to the U.P. once. 

 

My spring road trip 2025 took me to Reed City, the halfway point a friend from Kalamazoo and I had chosen for this season’s rendez-vous. 

Always good to see Laurie!

We did no sight-seeing, and so I have no album of photographs to share, but I did stop to hover a few moments at a little farm village called Chase, where I mailed a postcard to a friend in the U.P. and used my phone to capture a couple of old buildings, the first because it must have been very important at one time in local history, the second because it made me think of how often I have meditated on hiding out in some out-of-the-way place where no one would ever find me. Why such an idea? Don’t you have occasional fantasies of leaving everything behind?

Faded glory

No one would look for me here.

Now, in closing, another excerpt

A somewhat strange book came into my hands. The title is King Noanett, the subtitle A Story of Old Virginia and the Masssachusetts Bay, the author’s name on the title page given as F. J. Stimson, but in parentheses below that J.S. of Dale. The main character is a young man of Devon, who meets a lass and falls in love – an old story, so far. This particular story, however, is set in the time of great conflict in England, and as the young man’s grandfather is a Parliamentarian and the young woman’s grandfather a royalist, the lovers are star-crossed. And here I must reveal that the young man’s unusual name is Bamfyde Moore Carew.

 

Let me here skip ahead in the story. Carew is convicted of giving aid to the royalists and sentenced to “transportation” (i.e., deportation to the colonies) and several years’ servitude (I forget how many), but eventually he and an Irishman who had shared the same transport vessel escape their masters and join an army. Horrors of slaughter and dissipation drive them from that life, also, and they carry away with them a girl whom neither of them wishes to marry (because the Irishman, like the Devon man, is in love with another) but whom they cannot leave to the life of the camp. 

 

Enough of background. Of this convoluted story, I only want to leave you today with a speech the Irishman makes to his friend:

 

“Beauty is given man, the good kind of beauty to enjoy, the bad kind to tempt him and teach him strength. In this way even pleasure hath its place—and a Puritan is but a suicide that thrusts him, like a blubbering child, away from the fires that are to try him! Let monks renounce—a man is here to live, and touch and try the lives of others; to feel his life and use it to the full, and then to give it away—to the first cause, maybe? Men to be brave and true, maids to be brave and gentle—and both their highest duty to be kind.” 

 

“Their highest duty to be kind.” Isn’t that a noble thought for the day? 

Quietly spectacular hellebore

Moonrise, moonset, swiftly go the years.

Moonrise on Monday evening

 

I see the moon, and the moon sees me.

 

You’ve been plenty of sunrises and sunsets on both this blog and the one dedicated to photographs, and I’m sorry to say that once again I failed to get outdoors to photograph the Northern Lights on Monday night, which apparently were spectacular. I did, however, go out one earlier time in hopes of seeing them (vain hopes) and was rewarded by a beautiful waxing moon, orange-red in the smoke from distant fires as it moved toward setting in the western sky. 

Red moon going down in the west one dark morning last week

 

Sunny and I see each other, and my friends and I find time to see each other, too.

 

My sybaritic enjoyment of locals’ summer (September) continued with another Sunday and Monday off work. I did work almost two hours Sunday morning digging up autumn olive – real work! – but then took the rest of the day off to lounge around with a book and later to meet a friend in Suttons Bay for a movie and a bite to eat. We hadn’t seen each other for a couple of months, so it was good to catch up.

 

Monday morning Sunny and I had another agility session (so sorry I can’t photograph while we’re working), and as I told my sister, I am learning a lot. Is Sunny learning a lot, too? Truthfully, I think my learning curve is much steeper than hers, as all she has to do is follow my commands and gestures, while I’m the one who has to get everything right, which gets more complicated every week. It’s more than having my dog comfortable on the equipment — jumping hurdles, going through tunnels, etc. She has no problem with any of that. But I have to guide her from one station to the next, and the course changes from one time to the next (as it does in competition), so it matters a lot which side of a piece of equipment I’m on, how and when I get there, how and when I signal to her which one comes next, and how well I do getting into position myself so I’m not in her way or misleading her unintentionally, and every week Coach Mike adds a new twist to what I do, so this sport is exercising my mind as much as Sunny’s, if not more. 

"Mom, are you as smart as I am?"

When I made an appointment to have the garage in Leland replace a burned-out headlight, I texted a friend to see if she might be free for lunch or a walk. She voted for lunch, and we spent two leisurely hours at the Cove, leisurely time made possible by the fact that everyone else wanted to sit outside by the dam, while we chose to be indoors where we didn’t have to shout over the roar of falling water to make ourselves heard. 

 

Glad to see the pay phone still in Leland, carrying its freight of memories -- 

 

Before sleep and between first and second sleep, I read. 

I read and fall asleep, then wake again sometime in what my mother called “the wee hours,” turn the light back on, and read for a while more before “second sleep,” waking for good between 5 and 6 o’clock. My current bedtime reading is a novel set (at least Book I is set) in pre-Revolutionary America, the main character a boy ready, in his own eyes, to become a man but not keen on being sent away from home to a big city in the East to study Latin and “cyphering” with a man of the cloth. After yearning for home and parents, however, he finds on his first holiday that the folks of the pine woods are painfully dull and unsophisticated compared to the “quality” he has met in the city. I stopped at the end of Book I on Tuesday morning, leaving young Johnny to his ambivalence. 

 

So far, my strong impression from this novel is of a country – our own – born divided. As Johnny travels from inland pine forest to coastal city for his education, we see various faces of 1770s America: pious Methodists suspicious of “papists”; gamesters, drinkers, and teetotalers; hoi polloi and those who take themselves to be gentry; rich and poor whites; black slaves imported from Africa; Cherokee families pushed beyond the mountains by white trappers; loyalists to the crown, trigger-happy rebels, and thoughtful folks on both sides. The Revolution had not come by the end of Book I (Johnny’s father was convinced there would be no war), and yet many divisions among Americans already existed on the bases of family background, country of origin, religion, skin color, education level, and political allegiance. E pluribus unum seems an impossible dream. Some of us still hold onto that dream.

 

The quiet morning before dawn --

 

Summer stretches out for visitors, too.

 

Northport, Michigan

People are still discovering Northport for the very first time as we drift on a summery breeze into the second half of September. “What’s it like here in the winter?” is the perennial question, to which my tried-and-true answer is, “That depends on the year.” Whatever we get for winter this time around, though, apple season is here now. 

The new look of Leelanau apple orchards --

Apples and goldenrod, anemones and the eagerly seed-making marigolds and staghorn sumac, every growing thing making the most of these days that grow shorter week by week. We need rain, but it’s hard to argue with summer – even in September, when it comes. 

 

Anniversary, Reading, Loss, Gratitude, Dog

Quiet reflections

First, Nice things people say,

or,

Thirty years is a long time 

 

I’ve been having a quiet 30^th anniversary summer in my bookstore. Setting up an anniversary guest book, however, was a happy inspiration. Not that everyone writes in it. In fact, I usually have to urge people to leave their marks after they say something that touches me, but I know looking over these pages in the future will mean a lot to me.

On the bookstore counter --

One young man last week said my bookstore had changed his life! He said he’d been addicted to online gaming but found a book here that started him off as a reader and that I had really “made a difference.” That blew me away! Another thanked me for being a “significant part of [his] childhood.” I remember him coming in with his grandparents years ago. A young family visiting Northport for their fourth year in a row told me Dog Ears Books is now a vacation tradition for them -- and all the children wrote their names in the book. It feels strange to see myself as an “institution,” but that’s how people talk, and thirty years, I realize, is a long time.

 

On Wednesday a man wearing a t-shirt from the William L. Clements Library at the University of Michigan told me I had a “good bookstore.” Coming from a rare book connoisseur, that was a nice compliment – though, no, he did not buy books. (I knew you’d want to know.) Others, though, have bought a lot of books. 

 

If you come in soon, please take time to leave a written remembrance. (At least your name!) And if you feel inclined, here’s one more thing you can do for my 30^th anniversary: send your friends the link to Books in Northport -- or to a particular post you think will mean something to them. Thanks for that, too.

 

 

My reading, from recent past to near future

 

I finished Memoirs of Hadrian, by Marguerite Yourcenar, which took me longer than usual because I read it in the original French. I’m now ordering the English translation for my bookstore, because I highly recommend this book. 

 

Following the last page of the novel in the Gallimard paperback (1974) is a notebook put together by the author as she looked back over the years of its creation. Yourcenar began with an idea for the book’s form (conversations among different characters of Hadrian’s time) but discarded that idea when she decided it didn’t work. More than once, discouraged, she abandoned the project. Once she burned notes she had made for the writing; another time finding notes for the novel inspired her to return to it. Conceived and begun in 1924, Mémoires d’Hadrien was finally published by Librarie Plon in 1958. It is a masterpiece.

 

There is a lesson in this for all who write: not to force or rush a book into print until the author is satisfied that it fulfills the promise of its conception.

 

I’ve been postponing opening the first page of Horse, by Geraldine Brooks, because I knew that once I did there would be no putting it down until the last page. I have read Year of Wonders; March; Caleb’s Crossing; and People of the Book, so how could I resist a novel by Brooks with a horse at its center?

This morning (early, dark, rainy) I looked online to check Brooks titles and saw – did I know this and forget? – that she was married to Pulitzer winner Tony Horwitz, who died “suddenly” (probable heart attack) at age 60. They had had a long, very happy marriage. I found and watched on my phone an interview with Horwitz about his book Spying on the South and then listened to another man talking about meeting Horwitz during the author’s research for what became Confederates in the Attic, and I vowed to read both books soon (though not before Horse). But what I really wanted to know was how Brooks was affected by her husband’s unexpected death and how she went on without him, so I kept searching until I found answers.

 

(Note I say ‘death’ rather than ‘passing’ and ‘died’ rather than ‘passed,’ because for me that’s part of facing what I see as reality, though I realize others see it differently.)

 

Brooks and Horwitz were married for 35 years. She told an interviewer, “We were so lucky until we weren’t,” and those words brought tears to my eyes. She spoke of how happy she always was when Tony came home from wherever he’d been and the “fun” could begin again. For a year following his death, her work on Horse interrupted by the tragic loss, she was unable to write, but she eventually returned to the project, believing that work, as Ruth Bader Ginsberg had advised someone else, would “see her through.” 

Brooks, who started riding only at age 59, now has a horse named Valentine. She has a dog. She has a son. And she has gratitude for the life she and Tony had together for all those years. 

 

I have written before on this blog that I not only feel gratitude for my life with the Artist but am grateful for it – yes, grateful for the gratitude, though that may sound strange – but take no credit for the feeling, because it is not an attitude I worked to achieve. Rather, it is a gift that my life with him has given me, on top of all the other gifts (including Sunny Juliet). And so, having lost my love but as a bookseller with a literary life, as the mother of a son (and stepmother to other lovely humans), with a dog companion, and loving (though not having) horses, I now feel a closeness to an Australian author I will probably never meet. Her writing life and work, like Yourcenar’s, along with gratitude and memories, help to light my way.

 

 

Dog stuff

 

Sunrise over Northport from New Bohemian Cafe

Waukazoo Street was quiet on the Tuesday after the Northport Dog Parade. The reason was not hard to find: New Bohemian Café was taking a well-deserved break. The crew was back at work on Wednesday, however, and I was a near-sunrise customer, treating myself to breakfast (and sharing with Sunny) before we went for our weekly early morning agility lesson. In the photos below, Sunny is just exploring and warming up before our teacher arrives. When the real lesson started, we worked too hard for photographs. 

Sunny is jumping the hurdles at 20 inches now and getting more comfortable with the teeter-totter (set lower for her than in this photo when she was only exploring it). We have even started the first exercises that will eventually lead to weaving, the hardest equipment for dogs to master, as it’s like nothing they would have to do in nature. Agility work, as I see it, is not an alternative to social skills but perhaps an adjunct, in that my dog and I have to work as a team, and she has to look to me for guidance. We need to work more directly on that social stuff, but we’ll get there. She is a good dog. And, as I sometimes tell her, “We’re stuck with each other.”

 

Book Review: THE WAYS WE HIDE

 

There was a new novel, The Ways We Hide, by Kristina McMorris, included in my most recent published list of books read (following my review of The Education of Betsey Stockton) and I want to tell you enough about it to pique your interest in that book, as well. Regular readers of Books in Northport may recall that I was able to reconnect not long ago, through a local friend who has studied close-up sleight-of-hand for years, with someone from my graduate school days who now makes his way in the world as a professional magician. It was in part because of Mark and Larry’s fascination with the world of stage illusions that I was intrigued when an ARC of The Ways We Hide came to me in the mail from Sourcebooks, but I found added appeal in the connection to Copper Country in the Upper Peninsula of Michigan.

 

A traumatic event in the childhood of the main character, Fenna Vos, has outlines that will be familiar to students of Michigan history. In real life, the Italian Hall Disaster took place in Calumet in 1913, where 73 people, 59 of them children, died in a stairwell trying to escape from a building they thought was on fire. Someone had yelled “Fire!” but there was never any fire; however, the street entrance door at the bottom of the stairs was apparently locked, and children were literally buried alive. For the purposes of her novel’s timeline, McMorris places the event in a fictional town, Eden Springs (also in the U.P.), at a later date, but Fenna’s near-death experience provides clear and obvious motivation to her life-long interest in escapism – not into imaginary worlds (say, through literature) but out of actual physical containers. 

 

The novel’s hair-raising opening scene, however, takes place onstage in 1942 Brooklyn. Young adult Fenna and her partner are performers, and she who appears to the audience as a mere “assistant” is in fact the designer of the containers and escape mechanisms, as well as the instructor of Charles, the apparent Houdini who makes the onstage escapes. What happens in that particular performance unexpectedly takes Fenna far from Brooklyn to behind-the-scenes war work in World War II England with M19. Here again, as was true of the Christmas Eve fire, Fenna’s story involves actual wartime projects little known to the public even today. 

 

I knew about the Italian Hall in Calumet, but not all the other facts-behind-the-fiction in this novel. In fact, as I was reading, I was impressed with how many lifelike events the author created, not realizing how many she had drawn from history. The writing never seems didactic or overloaded with too many dates or details: The story is always front and center. 

 

Fenna has an indissoluble bond with Arie, with whom she survived the Christmas Eve event deadly to so many other children that night. Then there is Charles, her stage partner, who disappears early in the saga but reappears later. Major Hutton, an Englishman who recruits her to work in British intelligence, is based on an actual historical person. Through her experiences with these and other people in her life and unexpected twists and turns along the way – things not always being what they appear -- Fenna gradually grows in self-knowledge and strength.

 

Who will want to read this book? Those who enjoy history and/or historical fiction and/or love stories and/or intrigue and suspense and/or stage illusions, as well as anyone who simply wants to be pulled into another world and time. 

 

The good news is that The Ways We Hide will be issued in frugal, affordable paperback when released; the “bad” news is that the release date isn’t until September 6. But remember, delayed gratification builds character!  

 

The Ways We Hide

by Kristina McMorris

Sourcebooks, September 2022

Paper, 496pp

$16.99

Of Prayer and Fishing

 

Tying flies brings the composure of prayer. It is a composure that begins in the fingertips. The composure of angling is different, where equanimity comes through the eyes, the angler concentrating on her float or her fly, anticipating the take. The composure that comes from tying flies does not begin in sight. It begins in blindness….

 

…The anchor of the well-tied fly is the thread, and the anchor of the tranquil mind is the tension in the thread. No matter how scattered my spirit becomes during a day of wayward winds, the tying of flies gathers it together. Tying readies it for prayer.

 

- John Gubbins, Profound River

 

Such are the satisfying ruminations of a 15th-century gentlewoman, narrator of John Gubbins’s novel Profound River, a character whose lack of dowry helped her decide to enter the Order of St. Benedict in a convent near the town of St. Albans where she eventually rose to the rank of prioress. 

 

The fictional Dame Juliana is all the more fascinating in that her character is based on (although some doubt has been raised) an actual person. Called the “Mother of Fly Fishing,” the historical Juliana Berners, born in 1381, invented and perfected during her lifetime the art of “fysshing wyth an angle,” using that art for years to feed her sisters in the convent. (You see which side I am taking in the historical controversy!) Her written work on the subject, moreover, her Treatyse on Fysshing Wyth an Angle, interposed in the treatise on heraldry in The Boke of St. Albans, published by Wynken de Worde (who had apprenticed as printer to the iconic William Caxton of London), was the first printed book in the English language on fishing, and the entire book was probably her work.

 

The town of St. Albans in the 15th century, as the author has his narrator describe it, depended largely on what we in northern Michigan today would call tourism, although in that earlier time and distant place the tourists were pilgrims. Having come often long distances to view and pay their respects to the bones of St. Albans, Britain’s first martyr to Christianity, once in the area they had perforce to be lodged and fed — and they were also plied with plenty of drink and religious memorabilia for sale. Pilgrims and sheep, we are told, were the backbone of the economy of St. Albans, and Gubbins brings a welcome liveliness to complicated details of religious, secular, and royal claims to property and independence.

 

But it is the passages on fishing and on Dame Juliana’s personal history and reflections that rightly take center stage -- lengthy and enthralling riverside scenes as the prioress makes endless minute observations on hatches and weather, effects of light on water, and the habits of insects and fish. The language is specific, and we are transported far beyond the page to the out-of-doors of centuries ago, a world so changed in some ways and yet changeless in others. Dame Juliana has seen many changes in her own lifetime, in the natural as well as in the political world, and so the author has her musing generally on faith and earth’s abundance -- “Our sense that we belong in the world is more ancient than our faith”— and reflecting on the world’s “extravagant generosity,” all of it taken as gifts from God. 

 

Our ancestors counted on the annual runs of thousands upon thousands of salmon, wilderness forests forever rustling with coursing deer and boar, soaring flocks of geese and ducks blotting out the sun, gushing pure springs of water, and so many other signs of God’s interest in us. …Such signs bolstered our ancestors’ faith in the divine….

 

Dame Juliana speculates on how the diminishment of such plenty, which has evidently already begun in her lifetime, may affect a human sense of being at home in the world. She sees religious liturgies built up in compensation for that earlier sense of belonging and importance. 

 

When these signs [of God’s interest in us] dim and disappear, when air and water threaten us, when wilderness forests are leveled to a bleak horizon, then our sense of security will disappear altogether. And we shall overtax our faith to salve our profound loneliness.

 

Some might find the character’s musings on a diminishment of nature as evidence of “presentism,” a sin historians commit when they inject sensibilities and ideas from their own time into events long past. In a lesser writer, the accusation would find a readier target, but such are the obvious intelligence and independence of the narrator Gubbins has created that we readily accept her taking a longer view of history than would most of her contemporaries. There is the matter of the audience for this book, also, which Gubbins no doubt considered. Published in the United States in 2012, and in Utah, part of what once seemed, to some, America’s “limitless” West but now a region where the limits of natural resources are only too obvious and subject to competing interests, the novel's passages on diminishing plenty are entirely appropriate. 

 

Descriptions and stories about hunting and fishing have always lent themselves to metaphor. When Juliana tells us, “Difficult fish are the angler’s best master,” because the angler’s mind tends to see patterns and seek predictability, whereas “each river, each pool in that river, and each and every fish” offer individuality, we can be fairly certain that the lessons she takes from the old trout under the bridge will serve her well in resisting the abbey’s greedy desire to rob the convent of its independence.

 

Serendipity put this novel in my path. I can account for it no other way. And as I read, fly-fishing friends past and present come to my mind, along with gardeners and hikers, artists, pilgrims, those who practice meditation in one way or another, devout religious friends, and, finally, anyone who appreciate not only history but also beautiful writing. And joy. 

 

My day courses with feeling. I would never banish a one, and as a follower of Holy Benedict, I am not asked to banish any….

 

The hours with their psalms order my affections. Countless small joys – the breath of the morning breeze carrying the fragrance of roses, the moist smell of a riverbank, soft drops of rain on my face, our voices changing as one the hour’s psalms, the smiles on my sisters’ lips, a well-turned stitch, a countryside shrouded in fog, a heartfelt prayer – all become a river of feeling, transforming by the hour my deepest affections.

 

Nature not to be mistrusted or felt as alien, but to be loved as a river of gifts. As Wendell Berry has written, it all begins with affection. 

Postscript 11/12/2021

 

In this morning’s wee dark hours I came to the last page of the novel, Profound River. Going on to pursue the author’s fascinating essay, “Who Was Dame Juliana Berners?” at the end of the book, I found myself falling back asleep and reawakening several times, as happens so often in my early dark reading; during my waking spells, however, I was closely focused on the essay (which, by the way, won a national award from no less than the British Studies affiliate of the American Historical Association), happy to have such a strong argument for the historical reality of the author’s strong character. So that was all good. 

 

A glossary precedes the historical essay, and following it is a single page of suggested readings. – And then comes the final “About the Author” page, where I learn to my delight that “John Gubbins lives with his wife, Carol, alongside the Escanaba River in the Upper Peninsula of Michigan”! (I guess if I'd read the Acknowledgements at the beginning of the book I would have known this from the start.) He lives in Michigan! Surely we have friends and acquaintances in common! Suddenly I am overcome, thinking of so many dear friends, living and dead, but all of them alive and lively in my heart and mind. 

 

Did my friend, the late Chris Garthe, know John Gubbins?

Then, too, there are more books by John Gubbins, including one very recent, and that is always any writer’s best gift to readers.