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Showing posts with label World War II. Show all posts
Showing posts with label World War II. Show all posts

Tuesday, May 12, 2026

Look Near, Look Far

That green pointillist flush I love!

Season’s Progress


Orchard buds on 5 May 2026

Cherry blossoms in the orchard around my house have yet to appear (still in bud), though young orchard trees out on Stony Point, on the bay side of the peninsula, were in blossom for Mothers Day, and the big black cherry trees (a forest hardwood) are blooming, too. The season is advancing, albeit by fits and starts, with overnight temperatures below freezing.  I harvested enough fiddlehead ferns to accompany two meals last week

Black cherry at the edge of the woods

Looking up through its crown

Blossom cluster

In Traverse City, the decorative pear trees are radiant in the sunshine. Is there a danger, though, in having planted the city streets with so many of one tree variety? What if a pest were to strike that landscaped monoculture? I looked online for an answer and discovered an even more alarming possibility: This variety of ornamental pear is now considered invasive because, while sterile itself, it can cross-fertilize with other varieties and produce thorns monstrous enough to puncture tractor tires! It also has hazardous weaknesses due to its branching habit, and some states have already outlawed their sale. Don't plant them in your yard! 

Look beyond looks!

If Traverse City follows other cities in eliminating this tree (which seems like a good plan), I hope they will do it on a gradual basis and replace the pears with two or three different kinds of trees, maybe redbud and dogwood and something else. Suggestions? 


Changing the subject: Isn't my hellebore beautiful?


What Makes a Good Book Review or Reviewer?

I hate to say it, but I can’t help concluding, after reading a raft of online amateur book reviews (I am tempted to put “reviews” in scare quotes, like so), that there are a lot of very lazy readers in our country who should not be claiming to be reviewers. Or maybe they are simply reading books that are not right for them. After I finished reading what struck me as a brilliant first novel, curious to see what others had thought about it, I looked for reviews, and three particular criticisms that I discounted as inappropriate stood out, each made by more than one person. I have condensed to give composite comments, so the following are not quoted directly: 

(1) There are too many new novels set in World War II. Here's another one. Yawn!

(2) If you don’t know Paris, you’ll be lost in this book. It's probably okay for people who know Paris, but for me? Yawn! 

(3) The action and time jumped around in a confusing way. I'm outta here!

Here is my first round of responses:

(1) Are there too many boy-meets-girl novels? Too many novels about American family life? The question isn’t the number of novels available on any given subject, but their quality and how worthy they are of readers’ time. 

(2) I know Paris pretty well, but I’ve never visited Salinas or San Francisco or Brooklyn, let alone Moscow or Mumbai or anywhere on the African or Asian or South American continent. I’ve never anywhere near Australia. And yet I have read avidly novels set in all these locales, as well as stories set in earlier centuries in America and Europe (despite my inability to travel through time except in imagination and, therefore, in books). For those of us without the means to afford constant world travel, books give us wings! In fact, I learned Paris from books long before I ever set foot in its streets, just as I recognized my first sandhill crane from having seen it pictured in bird field guides. 

(3) Fiction with multiple narrators and nonsequential time sequences has become a norm in Western fiction, from YA titles to the most abstruse literary works. At times it is confusing, and when I’m reading a book written that way it often takes me 20 or 30 pages to get into the rhythm, but seldom does the difficulty persist, and in the case of this particular novel italics that set off the ghost character's viewpoint help a lot.

And here is round 2: 

(4) If you’re tired of WWII novels or only want to read books set in geography you know well, don’t read such books! Skip them entirely, or if you find one in your hands and can’t get into it, at least don’t foist your dismissive opinion off as a “review.” If you don’t want to travel, stay home rather than go to another country and complain because it isn't like home.

(5) There is nothing wrong with preferring a simple, linear, chronological narrative, either, but readers don’t need opinions on novels structured otherwise by people who object to alternative structures. You can find plenty of books written with your preferences in mind. There is fiction for every taste. Read with your preferences in mind and review those books. You will find some successful and others disappointing, and that’s as it should be. 

(6) We all have limitations. I would not presume to review books of fantasy or science fiction, because those are genres that don’t speak to me. They never have. I get bored, and my mind wanders. People who love sci-fi and fantasy and have a strong reading background in the field apply quality standards to their reviews that I could never hope to achieve. So I’m not dissing anyone for their reading choices. All I’m saying is I don’t see the point in someone purporting to review a book she couldn’t begin appreciate and, in many cases, didn’t even finish.

Okay, that’s my opinion as a reader, bookseller, and occasional book reviewer. I don’t expect it to change a single mind or alter anyone’s practice—people will keep doing what they want to do—but I wanted to put it out there. Agree—or disagree?

I highly recommend this brilliant first novel!


You may have read other novels set in Paris during World War II, but no two are alike, and this one (as does Karen Mulvahill's The Lost Woman) shows how very particular chance events in one era continue to reverberate and affect individuals and families in following years. Also, the prose is enchanting! 

Don't miss the cowslips. They are blooming now.

Sunday, June 5, 2022

Book Review: THE WAYS WE HIDE



 

There was a new novel, The Ways We Hide, by Kristina McMorris, included in my most recent published list of books read (following my review of The Education of Betsey Stockton) and I want to tell you enough about it to pique your interest in that book, as well. Regular readers of Books in Northport may recall that I was able to reconnect not long ago, through a local friend who has studied close-up sleight-of-hand for years, with someone from my graduate school days who now makes his way in the world as a professional magician. It was in part because of Mark and Larry’s fascination with the world of stage illusions that I was intrigued when an ARC of The Ways We Hide came to me in the mail from Sourcebooks, but I found added appeal in the connection to Copper Country in the Upper Peninsula of Michigan.

 

A traumatic event in the childhood of the main character, Fenna Vos, has outlines that will be familiar to students of Michigan history. In real life, the Italian Hall Disaster took place in Calumet in 1913, where 73 people, 59 of them children, died in a stairwell trying to escape from a building they thought was on fire. Someone had yelled “Fire!” but there was never any fire; however, the street entrance door at the bottom of the stairs was apparently locked, and children were literally buried alive. For the purposes of her novel’s timeline, McMorris places the event in a fictional town, Eden Springs (also in the U.P.), at a later date, but Fenna’s near-death experience provides clear and obvious motivation to her life-long interest in escapism – not into imaginary worlds (say, through literature) but out of actual physical containers. 

 

The novel’s hair-raising opening scene, however, takes place onstage in 1942 Brooklyn. Young adult Fenna and her partner are performers, and she who appears to the audience as a mere “assistant” is in fact the designer of the containers and escape mechanisms, as well as the instructor of Charles, the apparent Houdini who makes the onstage escapes. What happens in that particular performance unexpectedly takes Fenna far from Brooklyn to behind-the-scenes war work in World War II England with M19. Here again, as was true of the Christmas Eve fire, Fenna’s story involves actual wartime projects little known to the public even today. 

 

I knew about the Italian Hall in Calumet, but not all the other facts-behind-the-fiction in this novel. In fact, as I was reading, I was impressed with how many lifelike events the author created, not realizing how many she had drawn from history. The writing never seems didactic or overloaded with too many dates or details: The story is always front and center. 

 

Fenna has an indissoluble bond with Arie, with whom she survived the Christmas Eve event deadly to so many other children that night. Then there is Charles, her stage partner, who disappears early in the saga but reappears later. Major Hutton, an Englishman who recruits her to work in British intelligence, is based on an actual historical person. Through her experiences with these and other people in her life and unexpected twists and turns along the way – things not always being what they appear -- Fenna gradually grows in self-knowledge and strength.

 

Who will want to read this book? Those who enjoy history and/or historical fiction and/or love stories and/or intrigue and suspense and/or stage illusions, as well as anyone who simply wants to be pulled into another world and time. 

 

The good news is that The Ways We Hide will be issued in frugal, affordable paperback when released; the “bad” news is that the release date isn’t until September 6. But remember, delayed gratification builds character!  

 

The Ways We Hide

by Kristina McMorris

Sourcebooks, September 2022

Paper, 496pp

$16.99




Sunday, October 18, 2020

Further (Largely Uncomfortable) Meandering

 

Wednesday morning

 

The national memory of any people is a mixture of truth and myth. 

 

-      Madeline Albright, Prague Winter: A Personal Story of Remembrance and War, 1937-1948

 

Not what I expected, this book, but in retrospect not surprising. The author, after all, was only born in 1937, and it was only in the following year, ten days after Nazis marched into Prague, that her parents were able to secure necessary papers to exit the country. The papers were necessary for leaving, and leaving was also necessary. A bare two weeks after Czechoslovakia’s future existence had been signed away at Munich, a newly formed Czecho-Slovak [note the difference in name] Defense Ministry asked for the dismissal of Madeline’s father, Joseph Körbel, from the diplomatic service. He had become a political undesirable. Besides his views and public positions, the Defense Ministry noted, “Dr. Körbel and his wife are Jews.” In that ten-day interim, the family slept in friends’ apartments and spent their days on the streets and cafes, to avoid the Nazi dragnet.

 

The author was a tiny child in the Prague of that time and spirited to safety in England as quickly as her parents could arrange it. She would, however, grow up to earn a doctorate in history, and a visit years later to the place of her birth (Prague: May 15, 1927) would not be complete for her without seeing it in historical context. Thus “Part I: Before March 15, 1939” of the book is not memoir but the product of research and delivers a blow-by-blow account of the history of Czechoslovakia and Prague leading up to March 25, 1939. 

 

This book is obviously not comfort reading or escape literature. Seeing Germany gobble up more and more of Europe, page by page, is all the more painful since a reader knows what will follow, while at the same time seeing a series of decisions made by leaders and diplomats who did not have a vision of what was to come. 

 

…The war in Europe was still months away. When it did come, it was expected to be over quickly. Nazi prison camps, such as Dachau, housed dissidents regardless of race.

 

It was an anxiety-ridden, confusing, depressing, hostile, and saber-rattling “calm” before the storm of the Second World War, a long, drawn-out horror that appeasement did nothing to prevent.

 

I am also still reading Crazy Horse: The Strange Man of the Oglalas, by Mari Sandoz. About two-thirds of the way through the book, knowing what lies ahead for the principals, I am living vicariously alongside them with a heavy heart.




Wednesday evening

 

What can be said of a bookstore customer who orders books and then brings them back to loan to the bookseller to read? That’s a reading friend! “I’m just glad you’re interested,” she told me. So this afternoon at the bookstore I started reading Having and Being Had, by Eula Biss. After that I’ll read the same author’s Notes from No Man’s Land, but my reading friend recommended that I start with Having and Being Had, “because it won’t break your heart like the other one.” Forewarned. Although history has been breaking my heart over and over for years, as has politics.

 

(Notice that I have set aside Crazy Horse and Madeline Albright for a Eula Biss session. This is typical of my reading life.)

 

Having and Being Had is a book of nonfiction. It is a collection of very short personal essays, often anecdotal in nature, that take us with the author as she explores the role of economics in our everyday lives. You think you know about the game of Monopoly™? Well, I certainly found the story surprising! 

 


When Biss gets into the question of class, I recall my brother-in-law telling us on Monday, as four of us in masks rode in the Artist’s big Chevrolet station wagon to Traverse City, Empire, Glen Arbor, and back home, “This is the way two lower-class couples ride together: men in front, women in the back.” Middle-class couples, he told us, would sit with their spouses, while an upper-class foursome would mix mates for the length of the drive. Really? I have always just thought that (1) most men have longer legs, so (2) when one man is driving, it makes sense for the other man to be the front-seat passenger. Also, (3) that older people divide up riders this way. I’d never thought of it as a class thing. But author Eula Biss says that her husband can identify from a distance people who grew up in his boyhood neighborhood, not because he knows or ever knew the particular people, but because the fact that you grew up on the South Side is “written on your body.”

 

Although the foregoing paragraph contains random thoughts, I am not writing down every thought from every short chapter’s essay, because almost every sentence I read generates associations and ideas and speculations that would run into whole paragraphs. 




Thursday morning

 

Bicycles have the same rights and duties as motor vehicles. But being governed by the same laws doesn’t produce equality.

 

-Eula Biss, Having and Being Had

 

Stop and think about that a moment. Then read on. 

 

A bicycle doesn’t occupy a full lane, is rarely granted the three-foot passing margin required by law, and must use signals not everyone understands. Bicycles belong to a different class and they can’t expect to be treated like cars. And so, bicycles break the rules, riding through stop signs and red lights. Like the people who occupy neighborhoods that are overpoliced and underpoliced, bicycles know that what keeps them safe on the street is not the law, but their own vigilance, quickness, and wit.

 

I admire the way the writer has personified the modes of transportation, having them stand in for the riders and drivers the law actually covers. I think it makes her point more effectively and facilitates the neighborhood analogy she brings at the end.

 

The value of art, the artist’s life, the ‘precariat’ as a class – all this I read this morning in the dark. But then, “The Hug”! What a horrible little story that is! I am so sorry she acquiesced! …And yet, in the scale of the world’s horrors, I realize one this small barely registers at all.



 

Friday morning

 

I picked up Madeline Albright again last night, joining the family in London:

 

…As refugees in London that summer, we had plenty of company. Jews and other antifascists arrived from Germany, Austria, Poland and our own Czechoslovakia. The British had quotas that limited the number of adults, but an exception was made for unaccompanied children under seventeen years of age. 

 

A humanitarian program, the Kindertransport, had begun rescuing Jewish children from Germany and Austria….

 

Is there a word that jumps out at you in that first quoted paragraph? Maybe more than one, but how about antifascists? The word appears again in subsequent pages, and every time I see it I think of a president of the United States who thinks that being antifascist is a bad thing, and I ask myself how this can be possible in my country. Does he imagine we should support fascism? Remain neutral? Would he have American citizens fleeing for their lives to other, safer countries?

 

“So long as grass shall grow and water flow,” the treaties with the Native American tribes read. “All men are created equal,” reads the Declaration of Independence. And yet -- a history of broken promises and cruel exceptions, offset by periods of self-conscious and fumbling attempts to do better and to make amends.



 

Sunday morning

 

I picked up and brought home last night an old novel from 1909, The Making of Bobby Burnit, by George Randolph Chester. It looked to be a Horatio Alger-type story of the period, but riches-to-riches rather than rags-to-riches. That is, the son of a wealthy merchant inherits the retail business and has to prove himself under strange terms set in his father’s will. 

 

The story proceeds slowly in the beginning – nice young man, spoiled by life, keeps proposing to nice young woman who won’t give him an answer, etc. Then gradually begins a cascade of bad business decisions and money lost. But the book only really got interesting to me (and I wasn’t looking so much for interest as for relaxation) when Bobby bought a newspaper and resolved to launch a campaign against corruption in his town. (There is a surprising amount of detail on investments and municipal utilities.) The newspaper, too, was a money-losing proposition at first (advertising revenue plummets), but this is a novel, the young man has more of his inheritance in reserve, and all comes right in the end. 

 

In books from this era, it’s interesting to examine the publisher’s lists of other titles at the end of the story. How many of the listed authors, so popular in 1909, are still read today? Edgar Allen Poe and Arthur Conan Doyle stand out from the crowd. Ellen Glasgow’s name, too, I hope rings a bell. Literary fame in general, however, is a fleeting thing for most. We remember many more politicians and fighters, even those who fall into the evil category, than the writers of yesterday. Is there a lesson in that fact?

 




Tuesday, October 30, 2018

Tragedy and Comedy in the Life and Writings of Thomas Mann

I came across something interesting the other day in a biography of Thomas Mann that I picked up to read alongside one of Mann's novels. Well, naturally, there were interesting facts on every page, but a couple of passages in Chapter 25 jumped out at me, perhaps all the more since the ideas addressed there were not elaborated on or discussed at length.

Ten years after the end of the war [WWI], French troops were still occupying the Rhineland, and reparations payments were still outstanding. In August 1928, Stresemann [German chancellor] finally persuaded France to consider early withdrawal and to authorize a new review of reparations. In February 1929 an American banker, Owen Young, headed an international board which in August submitted its assessment to a conference at The Hague. The plan was to give the German economy a chance to expand by allowing reparations to be spread over the next thirty years, and the date settled for the evacuation of the Rhineland was June 30, 1930. [Hayman, p. 391. Italics are my emphases.]

I was always told — and maybe you learned it this way, too — that Germany’s motives in supporting Hitler and launching a Second World War stemmed from the burden of reparations exacted on them from the First World War. And I’m not saying that isn’t part of the story. But what of this plan to ease the burden? Further down on the same page of the Mann biography came another event from the same year that seems to have exacerbated greatly economic conditions in Germany. 

Streseman died early in October 1929, and at the end of the month the Wall Street crash precipitated an international crisis. During the winter, unemployment in Germany reached the point at which the state’s insurance scheme could no longer pay benefits. …Mein Kampf was selling a steady fifty thousand copies a year. With unemployment rising, morale sinking, extremist demagogues and uniformed thugs active in the streets with truncheons and collecting boxes, membership in the Nazi party rose from 120,000 in 1929 to 800,000 in 1931. Members were contributing 300,000 marks a month, which few of them could afford, to a party that was acting less in their interests than in those of the large-scale capitalists, some of whom were helping to finance it. [pp. 381-382]

I draw no general but at least two minor conclusions and questions from this story. First, perhaps it was not necessarily reparations alone that broke Germany’s spirit and drove its people to desire revenge. Had an international financial crisis not been set off by the crash of Wall Street, who is to say that the new terms for payment of reparations would not have been a solution, allowing time, as the international board in The Hague hoped, for the recovery of the postwar (post-WWI, that is) German economy? In addition, note that the National Socialist party, while “socialist” in name, was not a grass-roots workers’ movement but was largely financed by “large-scale capitalists.” The object of their support, of course, was to hold communism at bay.

Long after Thomas Mann and his wife had moved to the U.S. and taken American citizenship, and after World War II finally came to a close, the novelist had this to say about his native country: 

‘There are not two Germanies, a bad one and a good one, but only one, in which the best qualities have been corrupted with diabolical cunning into evil. . . . The evil Germany is the good one in misfortune and guilt, the good Germany perverted and overthrown.’

Hayman, his biographer, notes Mann’s undying resentment over what Germany had allowed itself — and been allowed by others — to become: 

His biggest grudge against humanity was that the civilized countries hadn’t merely failed to scotch the growth of Nazism but had encouraged it. ‘My resentment about this I shall take with me to the grave.’

Our reading circle, initiated back in 20xx to read and study James Joyce’s Ulysses together, is meeting soon to discuss Mann’s The Magic Mountain — hardly a book to be absorbed on first reading or adequately considered in a single evening’s conversation, but 2018 is running out, so we’ll do what we can now and maybe come back to Mann later. He is a fascinating writer, not only for his novels but also for the way he wrote (longhand, about a page and a half a day), the time he spent on a work (The Magic Mountain was begun before World War I and not finished and published until 1924), and the way his beliefs and commitments altered with the passage of time and events in Europe. A “reactionary” in the First War, a man who declared he “hated democracy,” he came around to working for the survival of democracy and freedom and doing all he could to support refugees from the nightmare of Hitler’s Germany. Initially, worried that his novels might be banned in Germany and that he might lose his German citizenship (fears that were, unsurprisingly, eventually realized), he hesitated for a long time to speak out against the Nazis. What to say, when to speak, and how -- these were questions that tormented him. He finally made a public statement against Hitler after six years of living “in exile,” and his biographer comments, “A braver man than Thomas might have come out into the open sooner, but Hesse never came out.” 

The Magic Mountain, however, begun before the First World War, was finished and published in 1926, some time before the rise of Hitler. The Magic Mountain is the first work of Thomas Mann’s that I have ever read, and coming to it with little idea of what I would find, I was surprised to find myself laughing out loud in later chapters, even given some of the book's heavy themes of death, decay, and corruption. When you look at a portrait of Mann, he hardly looks like a humorist (and I don’t mean to suggest that he was some kind of German Mark Twain — hardly!), but he found much in human life and civilization ridiculous. When spiritualism overtakes the residents of the Sanitorium Berghof, for example, or when the charismatic Dutchman Mynheer Pieter Peeperkorn (modeled in part, at least physically, on the author’s friend Gerhart Hauptman) holds forth at a picnic by a thundering waterfall, declaiming and gesturing to an audience that can’t hear a word he is saying, a reader feels that Thomas Mann was having a wonderful time poking fun. If you’re a traveler, you may be interested in this New Yorker piece about other travelers making a pilgrimage to find the setting of the novel.

All in all, I’m very glad to have read this novel by Thomas Mann and expect to take his advice and read it a second time. It also occurs to me to mention, in light of current world events, that Mann and his German-Jewish wife were immigrants to the United States. 

The Magic Mountain
by Thomas Mann

Thomas Mann: A Biography
by Ronald Hayman
NY: Scribner, 1995

Thursday, October 18, 2018

Born This Day in 1859


October 18 is the birthday is French philosopher Henri Bergson, who believed, even after the Great War, the one we now call World War I, in the moral evolution of mankind. 

Henri Bergson believed that over the course of history human beings had evolved and were continuing to evolve not only physiologically but also spiritually and morally. Born in 1859, he died in Paris during the Nazi Occupation, and I always think he must have died of a broken heart, although he was already quite ill when he went to stand in line for his yellow star, the yellow star Jews were required to wear under Nazi rule as visible identification of their ancestry.

Bergson’s story, however, is more complicated yet. 

Member of the Académie Française since 1915, he was awarded the Nobel Prize in literature in 1927. When he lectured at the Sorbonne, a section of the auditorium had to be roped off for his students, or else Parisian high society would have filled every seat. It is true that his star did not shine as brightly in 1941 as it had in previous decades — a media-stoked “rivalry” between Bergson and Einstein did not do him any favors -- but he remained a European cultural icon. So if the Nazis could only co-opt Bergson…. 

They were eager to make him an exception to their odious racial laws. They went further: they wanted to give him their honors. And remember that Nazi favors, even the smallest, were not to be lightly dismissed: in Germany and the occupied countries at that time, they could mean the difference between life and death. Accepting their recognition, however, would give legitimacy to a loathsome regime, so although Henri Bergson had not been brought up in a religious household and was a member of no synagogue, he refused all exceptional treatment. He was not a man to save his life by turning against others, to profit at their expense by siding with oppressors. He did not hold himself that cheap.

Because we are alive, Bergson had argued throughout his life, which means we are spirit as well as matter, we cannot understand ourselves simply by laws that govern the purely physical world. When we deliberate between courses of action, that very deliberation changes us: “…[T]he self is changing and is consequently modifying…. A dynamic series of states … permeate and strengthen one another, and … lead by a natural evolution to a free act.” In fact, because the self is undergoing modification as it deliberates, saying that we have “two choices” before us oversimplifies the question. 

Most of the time, we react to situations according to our habits, as “conscious automatons." This makes for efficient action — most of the time. Only in circumstances calling for an important choice do we stop to deliberate, and then —
It is at the great and solemn crisis, decisive of our reputation with others, and yet more with ourselves, that we choose in defiance of what is conventionally called a motive, and this absence of any tangible reason is the more striking the deeper our freedom goes.
Henri Bergson had nothing to gain by obeying a racist law and wearing a yellow star. Neither could he claim as a “reason” that his wearing the star would do anything to help his fellow Jews in France. 
We wish to know the reason why we have made up our mind, and we find that we have decided without any reason, and perhaps even against every reason. But, in certain cases, that is the best of reasons.
Quotations above are from Time and Free Will, the English translation of Essai sur les Donnés Immédiates de la Conscience. For more about the life and work of Henry Bergson, follow this link. What he wrote about character is, for me, the elucidation of his choice. Resisting evil was essential to his character.



Thursday, April 12, 2018

Book Review: WHAT DID YOU DO IN THE WAR, SISTER?

My books in Arizona
My reading year started off slowly in January. All a-flutter over a trip to the Yucatan with an old friend, to be followed by the cross-country trek with Artist and dog to our winter quarters in the high desert, I could hardly concentrate on books and think I only read the first three on my “Books Read 2018” list that month. Even once we were here in Arizona, all the business of getting settled in and reacquainted with our surroundings and meeting new neighbors and, in my case, studying Spanish meant that it was quite a while before I could settle down to books. 

As it has turned out, much of my reading this winter and early spring has been history and economics (though that fat volume of Adam Smith’s Wealth of Nations got shoved aside rather abruptly by more reading I found compelling in the moment) — the world, the Southwest, and Mexico. And now, for a couple of days this past week, I found myself completely immersed in a different side of the European World War II experience, thanks to Dennis J. Turner’s What Did You Do in the War, Sister? How Catholic Nuns in Belgium Defied and Deceived the Nazis in World War Two

Book in focus
Dennis Turner, professor of law at the University of Dayton in Ohio, is a summer resident of Leelanau County, where he and I met (no surprise!) at Dog Ears Books. Lately we have had quite a bit of e-mail correspondence about his book. The subject intrigued me, and equally intriguing was Turner’s approach to writing the story. 

Beginning with a wealth of source material, including letters and journals written by a group of nuns in Nazi-occupied Belgium, the author made the decision to create a fictional nun to serve as his narrator and then wove together various strands of history — troop movements, bombings, strictures of wartime civilian life and in the life of different religious orders — to show the war in Belgium and France through the eyes of his fictional main character, a young American nun from Ohio, sent by her order shortly before the war began to a convent and girls’ school in Belgium.

This is one book that compels the reading of every page, including sections preceding and following the main story. Turner begins by giving a timeline of events beginning in 1932 and 1945, an extremely helpful historical review. The preface then tells his own personal story — his initial introduction to the Belgian nuns’ story, his own experiences with Catholic education, the atheism he now espouses, his role on the faculty of a Catholic university — as well as background on the particular order of nuns whose experiences inspired his book. His acknowledgements section (“Author’s Reflections”) serves in part as a continuation of the preface, his expressions there truly reflective and grateful for experiences that made his book possible and indicative of learning that, while it did not convert him, enlarged his perspective on religion.

Of course, it is the story that is primary. We first meet Sister Christina in December 1944. The town of St. Hubert and the nuns of Our Lady of Namur had thought the Nazi occupation was over when American soldiers arrived in September, but now they are enduring a second occupation by German troops. Sister Christina recounts her struggle with fear of death, likening it to that experienced by a soldier in battle. Her religious training had schooled her in acceptance, and she had done well in difficult circumstances for several years; however, when she is wounded and a fellow nun beside her killed in a bombing raid, she is gripped by fear. Not wanting the  bravery of the Sisters of Our Lady to be forgotten, should they not survive the war, Sister Christina resolves to write the story of their wartime life and activities, relying on the detailed diary she had always kept. 

Sister Christina speaks German as well as French and, as an American, is a native English speaker, so her linguistic abilities repeatedly make her a logical choice for special responsibilities. When the nuns become active involved in the Resistance, for instance, and men claiming to be downed American pilots come to the convent seeking shelter, it is Sister Christina who is asked to determine whether they are genuine Americans or German imposters. Here she faces a moral dilemma she never expected would be hers in a life of strict obedience, since judging a man to be an imposter meant sending him to certain death.

The convent had not prepared me for these kinds of choices. If any decisions needed to be made, my Sister Superior made them. I naively assumed that if I were somehow given the power of choice, it would simply be a matter of choosing the obvious good and rejecting the obvious evil. The options were black and white, like our habits. Thus, it was a distressing surprise to discover that having freedom of choice drops you into a world of moral ambiguity. Evil may be wrapped in goodness, and good may have evil buried inside.  

… Of course, I might let Sister Ursula carry the entire moral burden of choice. I could escape responsibility by claiming that … I was just obeying Sister Ursula’s orders. I am sure, however, such a rationalization would not have eased my troubled conscience much.

The nuns sheltered and concealed many kinds of fugitives behind their walls. Some were other Resistance fighters, others American pilots shot down by German guns.

In the fall of 1941, persecution of the Jews increased. As a result, Sister Ursula quickly agreed with [Father] Cyril’s request to give refuge to Jews. 

In addition to those Jews literally hidden in the convent, there were Jewish girls “hidden in plain sight” as regular Catholic students of the nuns’ school. These girls were given Christian-sounding names and taught basic prayers and responses. They had to eat whatever was served, including non-kosher pork; they were to speak only French at all times; and their identities were to be kept hidden even from one another. They were not, however, to be baptized or in any way pressured to convert, and a complicated system was developed whereby the Jewish students lined up to receive communion were given an unconsecrated wafer from a secret portion of the ciborium. Their own religion was respected at the same time that they were disguised as Catholic students.

We had built a delicate house of cards based on complete silence, and it would entirely collapse if the Abwehr heard we were knowingly sheltering even one Jewish girl. A mere rumor could trigger a full-scale invasion of the convent and school by Abwehr agents. 

Sister Christina thought when initially sent to Belgium that she would remain in the one sheltered convent, but war shattered that expectation. Neither German nor American bombs spared civilians or those in religious orders. Villages, homes, farms, churches, and convents were equally at risk. (Sister Christina says that she and the others, irrationally, did not have the same fear of American bombs as they did of the Germans, because they realized the Americans were there to liberate them from Nazi occupation.) When their convent home is destroyed, the sisters have to take to the road with other refugees, and throughout the story they are given refuge as often as they give refuge to others.

Her own role is one of increasing complexity, as Sister Christina must wear different masks in the fulfillment of her wartime duties. Her impassive nun’s face at times had to be replaced by a shy, coy flirtatiousness designed to stall German officers so that resident refugees would have time to hide before a search of the convent. With men coming as downed pilots, in order to determine their authenticity she had to set aside silent reserve to engage in lively conversation about American life. And occasionally with stubborn bureaucrats or soldiers it was necessary for her to raise her voice and scold, as if bringing unruly schoolboys to order. 

In the reality of life in occupied Belgium, for everyone concerned, fear alternates with hope, doubt with certainty, and the relief of liberation with the return of occupying forces, occupiers more desperate than ever as their cause becomes more hopeless. At one point the cellar of the convent (serving as bomb shelter) is divided into sections for housing German soldiers, Belgian nuns, and wounded American soldiers who are technical prisoners-of-war. It is a complicated time, and when Sister Christina sees the extreme youth of German boy soldiers she can’t help feeling sorry for them, realizing that “he and his generation would pay the bitter price” for the indoctrination to which they had been subjected. 

While the author carefully notes each instance in the story where he changed or fabricated an event or a conversation, the illusion of reality will not be disturbed for any but the most hidebound literal readers. To read, after all, is frequently to enter into the life of fictional characters. Moreover, not only the background but the majority of facts in this story are documented, making the fictional narrator perfectly believable.

I will bestocking Dennis Turner’s book this summer in my Northport bookstore and hope to have the author on hand at least once to meet a local reading public I know will be appreciative of his efforts and the results. What Did You Do in the War, Sister? is a book that will have have broad appeal and broaden anyone’s historical knowledge of World War II with its page-turning story.

We shall return -- in mid-May!



Friday, January 12, 2018

D’habitude je voyage en français

It was a while ago....

Most of my travel to foreign countries has taken me either to Canada or to France. I have lived in Paris for brief periods and could live quite happily in Montreal. Even on a road trip around Scotland once, I was with bilingual speakers of French and English, and we generally spoke French in the car. Is it any wonder, then, that I associate foreign travel with the French language?

Sometimes going places within the United States triggers my French response. During the two years I lived in Cincinnati, Ohio, whenever I crossed the beautiful Roebling Bridge to Covington, Kentucky, I had the feeling I was leaving English behind and would be asked to show my passport on the far bank of the river. The Ohio River seemed that significant a border. And there are still occasions, driving around my home ground in Leelanau County, when I imagine my dear friend Helene, from Paris, with me in the car, and as we go down the roads I point out and explain to her various aspects of the Michigan landscape.

As the twig is bent, it is said, so the tree inclines. The high point of my father’s life was the time he spent in Paris after the city’s liberation at the end of World War II. 

His high school French got such a workout, he said, that it gave him a headache, but the experience was also heady in a positive sense. The young American lieutenant, sitting up all night in a bistro in Paris, discussing Corneille with Frenchmen! Is it any wonder he wanted his daughters (and I was the first-born) to learn as a second language the one that had brought him such excitement? Or any wonder that I caught the francophone fever at a very young age and never recovered?

Je t’adore,” my father would murmur affectionately, and he would call me his “petit choux-fleur” (little cabbage or Brussels sprout, an untranslatable term of endearment), but when he barked an order it was always issued formally: “Fermez la porte!” Thus when my high school French teacher on the first day of class, bound to immerse us in the language, began by issuing the familiar command to shut the door (the hallway was very noisy in a school of 5,000 students), it was no mystery to me what he was saying. I felt, happily, right at home. 

The French-speaking parts of my father’s war experience were his best times, first billeted in a private home in the Netherlands, and later, as liquor control officer in the south of France, making trips up to Paris for troop “supplies.” Between those times, however, he was stationed for a while in the Tongan Islands, where his group of engineers constructed an airstrip for Allied landings in the Pacific. That place was a very different kettle of international fish. Outdoor showers! An enormous bunch of fresh bananas hung in a tree outside his tent every day!

In the 1940s, as I understand it, the Tongan language had yet to take written form. My father, therefore, ever the amateur linguist, took it upon himself to assemble the beginnings of a Tongan dictionary. Alors, besides French, my sisters and I learned to say a few simple phrases in Tongan. Imagine my surprise and delight, many years later, to encounter Tongan phrases in a book (by a young man who sailed solo around the world) and to understand those foreign phrases! The sounds really meant what my father had told us they meant! Real people spoke to each other in those words I was taught as a child! How satisfying!

In the wee dark hours of the night before departure for Mexico, where a friend and I would be conducted on a five-day, six-person tour of Mayan ruins in the Yucatan peninsula, as I was casting about in the middle of the night for phrases in Spanish (a language I studied for only a single year in high school), more often French words and phrases, maddeningly, came to mind. After all, the total experience and history of my lifetime was deciding, in whatever unconscious part of the mind that sorts these things out, that I was going abroad; therefore, I should be speaking French. Descartes would have understood, I’m sure (I; therefore, I, if you see what I mean), but I felt the decider in my head was decidedly unhelpful in this instance. 

How to escape middle-of-the-night travel anxiety? An emergency scenario came into my mind, of course! There I was in Mexico, having to explain myself in a foreign country to medical personnel who spoke no English! Omigod! Mon dieu!

— Was it cheating on my part to introduce into the imaginary scene an intern from Haiti who spoke (thank you again, Descartes) clear and distinct French?

I cannot now reconstruct the train of thought that took me from that imaginary hospital back to the lobby of an imaginary hotel or how I managed to bring imaginary Tongan tourists to the hotel lobby, but you can guess how delighted I was to encounter them! “Malolalei!” I greeted them with joyful enthusiasm, and broad smiles and sparkling eyes on their part told me my greeting had succeeded. One of the women had a baby. “Tomasii? Taahini?” I asked. (My spellings of all these words are my own, the best I can do. Ask me to pronounce them, and I’ll do just fine.) The baby was a boy, the mother told me, and I gave my compliment on the child’s beauty immediately: “Faka ofa ofa opito opito!” and somehow I worked into the exchange my two remaining Tongan phrases, the How-are-you-I-am-fine component, before I was thrown back, once more, onto French — which one of their party spoke perfectly! 

Just my luck! Saved from the middle-of-the-night heebie-jeebies!

Back when I was eighteen and for many years after, I had great language-learning hopes and plans. I wanted to learn Greek (to read Aristotle in the original), Hebrew (for reading the Bible and works of Jewish scholars), Russian (such great literature!), and Amharic (because an Ethiopian friend and I had concocted a scheme that called for me to spend a year with her family in Addis Ababa). I would also, of course, brush up on and extend my Spanish to a proficiency level and add a bit of Italian while I was at it. Ambitious program, but others have done it, made whole careers in languages.

One spring in Paris, I gave myself an assignment to learn Italian from a book written for French speakers, reasoning that building a bridge from French to Italian, rather than working from English to Italian, would strengthen rather than eclipse my working French, but the only phrase that sticks with me now is “I ate too well.” On a different project, another year, I learned to say “I’m sorry” and how to order “baked eels” in Dutch. More seriously, I took beginning American Sign Language over and over again, year after year, each time temporarily achieving a decent beginner’s level of proficiency, only to lose it for lack of practice.

But French, its rudiments drilled into me at a young age, has persisted. Over the years, occasional French tourists in my bookstore have provided me with an opportunity for conversation, and there are always French movies and books in French to keep those brain cells alive. I never did learn the Greek or Hebrew or Russian or Amharic alphabets but am pretty comfortable with French accents and vigorously oppose (for reasons of history and tradition and personal attachment) the abandonment of the accent circonflex. 

One of my two biggest complaints against the program I am using on my new laptop is that it has no way to insert symbols or accent marks! (I managed the heading for this post by finding the word in my Internet search bar and copying and pasting it.) They are not in my mail program, either, as they were on the old laptop. Curses! I must overcome this lack in the near future….

1/6/2018. I set myself this little composing task before sunrise on departure day, and it has served its purpose: That is, re-living my personal foreign language history has successfully taken my mind away from worries about a drifted-over driveway or icy roads or a delayed or cancelled flight. And everything will be all right, I’m sure. — In fact, by the time this post is published on Books in Northport, I will be back from Mexico, with worries all behind me, a great store of new memories, and many more recent stories, including whatever splendid successes or horrible failures I have with the Spanish language south of the border.


Friday, 1/12 - I am back home!!!