Road Trip!

 

Reason for trip: art show at Kalamazoo College

Since the return from Arizona in the spring of 2023, completing my first cross-country round-trip without the Artist, I have been pretty much a homebody here in northern Michigan. Except for a day trip to Cadillac last fall and Reed City this spring, and a quick dart as far south as Interlochen once or twice, I’ve mostly stayed put. Asked the other day if I’d ventured south of Leelanau County over the winter, I thought for a minute and then replied that I’d been to Grand Traverse County a few times. Going as far south as Kalamazoo is a whole ’nother story! It means, usually, going through Grand Rapids and the rest of the way from there on expressway, and that’s what I did on Tuesday. 

 

Sunny was with me, confused and anxious about our departure from routine, but once we reached our destination my son dog-sat in the car with her while I attended grandson Jack Willits’s show of paintings (the ultimate destination) at Kalamazoo College, his senior project, which earned him graduation with honors. Meanwhile, Ian managed to log into his home computer from his phone, thus to work on his writing while tending to the dog girl, who found her favorite hidey-hole under the steering wheel while I was gone. (That settled her down enough that she didn’t feel compelled to bark at every passer-by.) Jack was pleased that I had made the trip, and his work—a full room of paintings done during the past year, his senior project—was beautiful: a wide range of subject matter, from landscapes to figures, in his own very distinctive style. His grandpa would have been so proud and happy! Family, friends, and lots of young people were there, of course. Neither Jack’s mom nor I managed to get good photographs of all the family together, or even all of them separately, but everyone was impressed by the work and happy to be there to celebrate it.

Artist and his model

After a drive back down to Portage and a bite to eat with my son, the dog girl and I repaired to our motel for the night, and after a little dog walk, I had half an hour’s conversation by phone with a dear friend before ending the social part of my day. Then, saving the last pages of the novel James for morning, I watched an episode of Henry Louis Gates, Jr.’s “Finding Your Roots” (television is such an occasional, rare part of my life!) before letting sleep claim me.

 

With so much to do in my home and yard and business, return trip came the very next morning, but I had a couple of other objectives along the way: first, to avoid Grand Rapids; second, to stop in Newaygo at a bookstore I’d spotted (new store with used books) on the way south. That being the case, my route on Wednesday took me west from Kalamazoo and then north through Van Buren, Allegan, Ottawa, and Muskegon counties. Unlike the drive south, there was no one expecting me and nowhere I had to be at a particular time, so if my drive north took an hour or two longer, no problem. 

 

At River Stop Café (a favorite stop for the Artist and me on many trips), I bought a sandwich to go (my choice was the “M-37,” but there are no wrong decisions at this café) and then managed to find eight volumes to buy at Flying Bear Books (I would have found more if Sunny hadn’t been waiting for me in the car) before seeking out a park where Sunny and I could have a relaxed picnic before the last leg of our travels.

Since every road trip for me is a trip down Memory Lane, it’s easy for melancholy to get its foot in the car door as associations with the past accumulate. The Artist and I had many, many road trips over the years, and the best of my life were with him. No one was more fun! This time, a few little country roads I’d never been on before helped, as did a new bookstore to visit and not having much of an agenda for the return trip other than, eventually, reaching home. All told, the trip was worthwhile and successful, an important mission accomplished.

Home--and at work--before dark

Reminder: June 10, 5-7 p.m., is the launch for Marilyn Zimmerman’s novel, In Defense of Good Women. This is not an event for young children, but everyone else is cordially invited. Marilyn and I are very excited and hope you will join us! 

Happy author, my friend Marilyn Zimmerman

Direct From Paris!

Somewhere along life's road, we paused.

Do you need a vacation from the tense present? Come with me to the past nearly perfect, and from there we will circle back to a recent day of happiness for me in Northport. 

 

Most Americans, whether they have been able to make the dream come true or not, have a dream city. For some it is Manhattan or San Francisco, for others London or Rome. For me, all my life, it was always Paris. It had certainly been that for my father, who was there in the intoxicating days following the Liberation and who had a chance to see and hear Edith Piaf, the “little sparrow,” in person one evening. And for the Artist—well, how many artists from all over the world, through the years, have sought refuge and validation in Paris? 

 

So Paris was a dream we shared from the beginning. As it turned out, however, each of us made our first trip solo, which was as important for me as it was for him. When I went for the month of May in 1987, it was because so much else in my life had fallen apart that I needed to save at least one important dream. I didn’t want to speak English at all during my weeks in Paris and avoided situations to do so. For me, it was a personal test. When the Artist went for three weeks in April of 1992, it was a different kind of test for him. He needed to make his way around independently with only smatterings of the language. 

My beautiful room!

Complete with a cat named Sirius!

Both of us succeeded, and we made important friends, as well, during our solo times in Paris. The older Frenchwoman from whom I rented a room on the rue de Vaugirard became one of the best friends of my life, and the young Englishman he met became an important friend to the Artist. We dreamed of having these two visit us in the U.S. so we could show them our country. That dream was never realized, but in September of 2000, when the Artist and I finally went to Paris together, it was natural that we would introduce our two dear friends to each other. 

Justin and Hélène as she shows some of the art on her walls

What an enchanted, unforgettable evening that was! Drinks and hors d’oevres at Hélène’s apartment, followed by dinner at a little Auvergnat restaurant in the neighborhood! “We are making beautiful memories!” Hélène said to me, resting her head on my shoulder. She did not speak English any more than the Artist spoke French, but to my great delight they “got” each other without a common language. Of course! 

 

I had chosen our hotel, le Recamier, in part because of its proximity to Hélène’s apartment, my first “home” in Paris, but the peacefulness of the Place with its fountain of the Four Cardinals (and the four cardinal directions), the church of St.-Sulpice with its grand organ, and the bookshops nearby all added their own charms. 

After an exciting but somehow leisurely Paris sojourn, we took the train of grande vitesse south to Avignon, picked up a rental car, and wandered north. We had maps but no reservations, simply exploring as the spirit moved us—and by great good fortune happening upon the village of Blesle, which I will never, never forget. 

We always talked of a return. We wanted to go back to Paris, to see Justin and Hélène again, to visit places we hadn’t had time to see, and maybe spend an entire week in Blesle, seeking out the treasures of the Auvergne. But it was not to be. We never gave up the idea, but time ran out on us. 

 

So imagine the thrill I felt when an email came from the publishing house of Gallimard in Paris, saying they were putting together a new volume of some of Jim Harrison’s work in French translation and that the translator had discovered a couple of screenplay treatments, never sold, that the Artist and the Writer had cowritten back in the 1970s—and would I give permission for translations of those two pieces, with credit given to David Grath, to be included in the volume?!

 

But of course!!!

 

There followed months of emails back and forth between Paris, France, and Northport, Michigan. The flood of forms seemed to multiply overnight like wire coat hangers in the closet of an old farmhouse. (Do I know about that, or do I know about that?) It was international business, there was an advance on royalties involved, etc., etc. About the time I was ready to give up and tell them “Forget the royalties! Just make sure the pieces get into the book!” I was assured that the last form requested would be the final one required and that when the book was published in November 2024 a copy would be sent to me. 

 

Publication timelines are often subject to alteration, so I was not surprised to learn that Métamorphoses would not be released until January 2025. It had been so long since the initial email that for days, even weeks at a time, I would forget about the book completely. Last week, then, when I had a yellow slip to pick up a package at the post office, the contents took me completely by surprise.

Identifying name on package

 

Contents of package

The two screenplay treatments are near the end of the book in a section called “Unedited texts,” and the Artist’s name is in small type in a footnote at the bottom of the first page of the first screenplay (this is, after all, a work of the revered Jim Harrison), but I remember how absolutely thrilled David had been, on his first visit to France, to see the Bob James album, “Grand Piano Canyon,” in a shop in Paris with the image of his painting of the same name on the album cover, so I can easily imagine how pleased he would be to have the collaborative work he did with his friend Jim in a book issued by the one of France’s leading publishers, which is the reason I jumped through that seemingly endless series of bureaucratic hoops—not for money but for love. And there you have it. That's my story.

 

Which brings us back to northern Michigan, on a cold January day, in a turbulent and disturbing moment in American history, but I promised myself and my readers a vacation in today’s post and am not about to renege on my promise. So, some more happy news? There was practically no wind this morning! What joy for the momma and her girl when they went out for their first walk of the day! A perfect morning for chasing chunks of icy snow and slipping and sliding in the process! What fun!

A Dog in a Paris Bookshop

W  O  R  D

 

Sometimes I play around with possible book titles. Certain words, I find, have an irresistible quality to them, bait on hooks we can hardly keep ourselves from biting. A few such are:

 

    light

    sun

    journey

    path

    road

    sea

    ocean

    river

    lake

    woods

    forest

    mountain(s)

    desert

    city

    village

    country

    west

    north

    south

    way

 

East of Eden, okay, but is ‘east’ an irresistible word? Does it have romance in it? What do you think? Anyway, you see what I mean about magic words?

 

Numerous new releases and fairly recent book titles feature other words that have magic for many of us, telling me I am certainly not alone in being drawn in by them. I've noticed a lot of books with these words in their titles:

 

    Paris*

    dog

    bookshop

 

Hence the title for today’s post, because – well, didn’t it draw you in? I don’t know of anyone who has used this exact title, but I offer it to anyone ready to write the book, and my plea has an addendum: You must, please, include lots of details about Paris and the bookshop and the dog, because as lovers of Paris and dogs and bookshops (please let there be used books, and let the dog be of mature years!), we your readers want a generous literary getaway and can never have too much of what we love.

 

(*Two of my all-time favorite books set in Paris are nonfiction, and neither one is new. Elliott Paul’s The Last Time I Saw Paris tells of his time on the tiny Rue de la Huchette in the years leading up to World War II, while Adam Gopnik’s Paris to the Moon, essays originally published in the New Yorker magazine not all long ago--in my sense of time--, introduce the reader to places and experiences that few tourists would uncover for themselves. Both these books give a quirky alien insider’s perspective on Paris insolite.) 

So once more I ask: Where, where, where is the Paris bookshop dog story? And could the dog have been Pierre’s dog in another life?

What words are irresistible magic for you in book titles? Because I know my list is only a beginning...

Practical matters: Dog Ears Books is generally open Tuesday through Saturday from 11 to 5, but will close early today (June 8, closing at 2 p.m.) and may have to fudge on a few upcoming Tuesdays, but whenever the bookstore is open, David Grath's gallery next door is also open. It's the 30th anniversary year for the bookstore and the last summer for the gallery, so please don't miss visiting.

 

 

A Different Kind of Summer

Different in What Way(s)?

 

Somehow a new blog post hasn’t been coming together for me this past week. I started one around the theme of “Falling Down on the Job” (since I was having so much trouble accomplishing the job of writing a post), but though I cranked out several sections, wandering around among local and personal job-related topics, what I got down into a file seemed uninspired. 

 

My heart wasn’t in it, I guess. As is true for my puppy, Sunny Juliet, my attention has been rather scattered of late. Other than my bookstore and my reading, I focus pretty exclusively on Sunny Juliet and my flowers. 

 

“Who will we meet today?” the Artist used to ask sometimes in the morning at the start of a summer day. Our Northport summer last year was about the busiest we’d ever seen, with books and paintings practically flying out the door, and in the course of any business day we would have countless conversations, some with old friends, but many also with people we’d never met before. Long, interesting talks sometimes took place only in the Artist’s studio, others stayed in my bookstore, and still others spilled back and forth between our separate spaces. Right next door to each other all day, however, we might only have five minutes together on some days while at work. The separateness of our days gave us a lot to share in the evenings, relaxing during supper on the front porch or taking a slow county cruise out for ice cream -- though sometimes we were too tired to talk much, and that was all right, too. 

 

This year is very different. There are still conversations during the day, out in the world, but the puppy and I have a pretty nonverbal relationship. Sunny Juliet can be vocal, of course, when she has a point to make, but my admonition to her to “Use your words!” only reminds her that she is supposed to nose the bell hanging from the doorknob, not bark, to let me know she needs to go outside. And in general my chatter to her is unremarkable. Telling her over and over that she’s a good girl and that I love her is not exactly small talk, but it’s certainly repetitious, while my stories about her “daddy” or her predecessors (Peasy and Sarah and Nikki) can’t mean much to her at all. Obviously, I’m really talking to myself….

But she always listens.

Book Stuff

My front porch book at present is Henry George’s Progress and Poverty. The book has been a bestseller since its first market edition in 1880, but if it opened a lot of minds, it certainly failed to change policies. Everyone on the political spectrum, it seems, finds something to love and/or something to hate and fear in George’s ideas. Fascinating reading, nonetheless. I’m almost ready to say I don’t want to discuss economics at all, even narrow questions like affordable housing, with anyone who hasn’t first read Progress and Poverty. 

 

…When we speak of labor creating wealth, we speak metaphorically. Man creates nothing. …In producing wealth, labor, with the aid of natural forces, but works up, into the forms desired, pre-existing matter, and, to produce wealth, must, therefore, have access to this matter and to these forces – that is to say, to land. The land is the source of all wealth. 

 

And thus George traces economic depressions back to material progress, because it is progress that increases the value of land, which in turns leads to land speculation. Land is withheld from production, forcing prices for available land up, checking production, finally throwing people out of work, when demand for goods must fall because though people still desire to buy, they have not the ability to pay.

 

In the bathroom (doesn’t everyone have at least one book in the bathroom?) I have In Praise of Folly, by Erasmus, an edition with a lengthy and entertaining introduction by Hendrik Willem van Loon (author of, among other things, The Story of Mankind, the very first Newbery prize winner, in the year 1922) and delightful illustrations by same. Any book with van Loon illustrations is a book I will pick up and begin to read – wouldn’t it have been wonderful to receive illustrated letters from him? -- and it’s about time I got around to reading Erasmus, anyway.

 

I’ve been reading Empire of the Summer Moon off and on at bedtime for what seems like forever because, I must confess, I have set it aside numerous times for something else. My latest detour (Friday night) was a 1953 nonfiction book by Robert Gibbings, a wood engraver as well as a writer, whose books display both talents. The most well known is probably Lovely is the Lee (I say that because it is the Gibbings title I most often see among used volumes), but the one that came into my hands this past week is called Coming Down the Seine, and obviously, were my own Artist still with me, this is a book we would have been reading aloud to each other. The Seine! Magic memories!

 

These were tranquil days in the boat. There were mornings when, casting off at dawn, I drifted through long cool shadows, watching the sunlight on the trees creep down to meet the water, hearing no sound but the tremolo of the aspens, seeing no one but a chance sportsman and his dog. There were noons with cooling breezes when the forest rang with bird song and the river was a sheet of moving glass. There were nights when, looking skywards, the passing clouds seemed like new continents and islands marked on the inside of a mighty globe.

 

Neither is everything description. There are digressions into history and observations on what an artist must know.

 

I incline to think that one of the earliest and most important lessons to be learnt by any art student is the recognition of those qualities most suited to his particular medium, or alternatively of the medium most suited to the qualities he wishes to express. 

 

As a wood engraver, Gibbings finds little he can use in the “lavender haze above the water … typical of many dawns.”  Precise lines and contrast of light and dark are what an engraver needs. He tells of refusing a commission once for a stone carving because the subject “could only have been carried out in bronze.” 

 

Gibbings, an Irishman, author of many river books, is buried on the banks of the Thames, another river David had a chance to explore years ago. All in all, I can’t help feeling it not quite fair that we never had a chance to enjoy this book together, but such is life.

 

The library has been presenting their summer author series this month, and I’ve gotten to the second and third events. Betsy Emerson talked about her book, Letters from Red Farm: The Untold Story of the Friendship between Helen Keller and Journalist Joseph Edgar Chamberlin, and the next week Karen Mulvahill interviewed Gregory Nobles, author of The Education of Betsey Stockton: An Odyssey of Slavery and Freedom. The fourth and final event in the library series will be next Tuesday, with Soon-Young Yoon and her book of memoir essays, Citizen of the World: Soon-Young and the U.N. Quite the stellar line-up this season! And it looks as if I may get around to a book launch come September, so stay tuned for exciting developments on that front. 

 

About Jobs

 

Here’s a question unrelated to anything in the rest of this post, a leftover from the post I’m not publishing. Have you ever quit or walked out on a job? If so, why? What to you makes the difference between a good employer and working conditions and something unbearable?

 

The Artist Remembered in Arizona

 

Before I left to start back to Michigan at the beginning of May, one of the owners of Source of Coffee, our hangout in Willcox, Arizona, asked if I would bring in one of the Artist’s hats so they could have something to remember him by. This past week the coffee house posted a photograph of the resultant memorial, the work of hatmakers Josh and Theresa – and I need to get a more complete reference for Josh and Theresa’s business. Must add to that to my to-do list.... But I love, love, love that our friends in Willcox are thinking of David and remembering him with love!

Dana in background; presumably Theresa in foreground

 

Good and Exciting Things Still Happen

Sunny Juliet post-paddle

The puppy and I are home. SJ loves the yard at the farm, and she had her first dog paddle in Lake Leelanau. We are still adjusting, but in time what I call her “good girl potential” is going to come shining through, and we will be fine. Meanwhile, the world has gone on turning – and besides all the bad news and my personal grief, there are some wonderful and exciting things happening, too.

 

A Pulitzer Winner

 

For instance? Well, someone I know won a Pulitzer Prize. And she’s a Michigan poet, too. 

 

Originally from Niles, Diane Seuss (cousin of a friend so dear he and his wife and kids are like family) first appeared on Grath radar when she was one of a number of women poets (the event was billed as “women poets”) reading their work in a classroom setting at Western Michigan University in Kalamazoo. (Yes, there really is a Kalamazoo, but there is only one.) It was a small event that the Artist and I attended together, at the suggestion of our friend, Michael, the poet’s cousin.

 

Diane, as I recall her on that long-ago day, was young, barefoot, and wore a long cotton hippie sort of skirt. Instead of standing behind the desk and reading from the small lectern, she sat on the desk, bare feet swinging. I remember being somewhat dubious and not expecting much. 

 

Then she read.

 

At the end of her first poem, the Artist and I looked at each other in amazement. Had we really heard what we thought we heard? I wish now that I had made notes (and kept them) of the pieces that made our hair stand on end that day. I do remember going to see our friend, her cousin, Michael, soon afterward to tell him that I would be more than happy to type Diane’s manuscript for free if she needed a typist, so that her work could be published with the least possible delay. 

 

But her career did all right without my help. A Guggenheim Fellow in 2020, she received the John Updike Award from the American Academy of Arts and Letters in 2021. And now, for her frank: sonnets, she has won the Pulitzer Prize for Poetry. The Pulitzer committee said of this book that it is “a virtuosic collection that inventively expands the sonnet form….” Wow. I mean -- wow! A Pulitzer!!!

 

 

Coming From Way Behind

 

Then there was another winner, the long shot, come-from-behind winner of the 2022 the Kentucky Derby, which I was unable to watch as I was on the road that day, traveling the last stretch of my cross-country odyssey home to Michigan from Arizona. I had no idea of the horses running that day, and the names would have meant nothing to me, but someone posted a link on Facebook, I watched it a couple days later, and -- Oh my God, I have never seen such a race! Has there ever been such a race? The announcer himself, focused on the front runners, never saw the upset coming, even as Rich Strike was coming up through the field, passing every horse in sight.

 

What a horse! What a race! Nunca te rindas! Never give up! 80 to 1 odds! Beautiful, beautiful, beautiful! It is an exciting race every time I re-watch it!

 

 

Life Is Hard, Driving Is Easy

 

How many of my friends offered to fly out to Tucson and drive back with me across the country to Michigan? I lost count. There were a lot, and quite honestly, not to sound churlish or ungrateful, I had a few moments of annoyance at all the concern. Did my husband’s death render me suddenly incompetent and/or foolish? And how could I even begin to imagine making that long, familiar, cross-country drive David and I had made together so many times with anyone who wasn’t David? The very idea, so popular among my friends, I found unthinkable. 

 

I wrote recently, “This trip was, for me, a kind of pilgrimage but not to one particular destination: the entire length of the journey was its point.” It was, if you will, a kind of secular-marital Camino de Santiago, driven rather than walked, and I had to do it alone. We walked around the square in this little town. It was on this stretch of country two-lane road that we saw the armadillo. My memories would mean nothing to anyone else.

 

The other thing is that since the Artist died, missing him so terribly, I do a lot of crying in the car. A second person would have constrained that tearful freedom, conversation would have impinged on my memories, pushing them aside, and silence would not have been the comfortable kind that comes about in a marriage after decades of crazy passion, sturm und drang, quiet, mundane happiness, and all the rest, whereas alone on the road, I had no need to respond except to my puppy, and while Sunny Juliet occasionally makes demands (she is both vocal and physical in making her needs known), she never asks questions. 

 

“But who will help you with the driving?” people frequently asked. At the end of my odyssey, I was able to put into words what I had known intuitively from the beginning, which is, as the heading of this section of my post puts succinctly, “Life is hard (well, it can be), but driving is easy.” Driving for days requires focus on the task at hand, but except for puppy needs I had no other responsibilities. All I had to do was cover miles. I could take the roads I wanted to take – roads the Artist and I had traveled before – and stop when I wanted to or keep going if I didn’t need or want to stop, consulting only Sunny’s requirements and my own inclination. The hardest part of the odyssey had nothing to do with driving. It was that Sunny slept so much in the car that she wasn’t tired at the end of the day, and I had to amuse and entertain her for three or four hours in the motel when all I really wanted to do was fall asleep over a book or in front of a movie.

One ear up and one ear down

But, as I said up there at the beginning today, we made it, and now we go on from here, day by day. Thanks to David’s gift of a puppy and Sunny Juliet’s presence, I am not alone. Then, too, there are all our friends! 

I'm not alone

So feel free to quote me: "Life is hard, driving is easy."

And then, the other evening in Leland –

 

Summer art classes in Leland, Michigan, began in 1922, a century ago, thanks to Allie Mae Best. Fifty years ago Michigan State University began offering six-week, for-credit art classes every summer in Leland. My late husband, David Grath, a.k.a. “the Artist” here on Books in Northport, came to Leland to study as a master’s student from MSU (having discovered Leland somewhat earlier, but that’s another story), and so for the 100^th anniversary celebration I was asked to loan one of his paintings for the show, which opened Thursday evening, May 12, and runs through May 18 (open 11-3 daily). The show included works by students and instructors from as long ago as the 1960s.

 

I wasn’t sure I was up for a big public event. What would it feel like to be there, in the building where the Artist had so many one-man shows over the years and where so many friends and acquaintances would be gathered? Could I handle it? I just didn’t know, but a friend said she and her husband would meet me outside and we could go in together. 

 

It was a lovely, lovely evening! I was so, so glad to be there and was so glad in retrospect that I didn’t miss it that I had to stop by again to photograph a couple things I missed on Thursday evening. Here, then, are a few of the images that touched my heart. 

 

"Every Day You're Getting Prettier and Prettier"
and 
"Tricoastal"
by David Grath

Paul Welch

"Painting of Portrait," by Paul Welch

"Vanitas," by Paul Welch

"Gauntlet," by Janine Germaine

"Cat? What Cat?" (from the Monster series), by Janine Germaine

screen by Jane McChesney

"Eden," by Cliff McChesney (typical large work of his)

"Soul Catcher," by Cliff McChesney (atypically small for Cliff)

You must forgive me some sentimentality in these choices. I was never a student in the summer art classes but fell under the spell of Cliff and Jane McChesney (as had all their summer art students) when I met them at a dinner party at the home of Jim and Linda Harrison. They were truly lovely people. So while I have no personal memories of the summer art classes, I have my own set of memories, and many of the names invoked on Thursday evening were names I recognized, calling up fond thoughts of years past.