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Showing posts with label present. Show all posts
Showing posts with label present. Show all posts

Wednesday, December 25, 2024

Christmas Present



The book I chose to give myself this year was North Woods, by Daniel Mason, one of my stepdaughter’s favorite reading experiences of the year about to end, but on Christmas Eve I had fallen asleep without finishing Rumer Godden’s Five for Sorrow, Ten for Joy, a book I had searched out in my shop’s storage area after reading the same author’s novel about a young orphaned half-gypsy girl, The Diddakoi, which I’d turned to after an interval of other books that succeeded my reading of An Episode of Sparrows. (Phew! Does this count as a binge?) In many ways quite different stories, the three Godden novels in this paragraph have one thing in common: each tell stories of girls and women, and the young girls in Sparrows and Diddakoi and the young woman in Five for Sorrow all have much to overcome in order to find strength in themselves and happiness in their lives. 


So there I was, awake at 5:30 a.m. (as usual) on Christmas morning, with an engrossing novel yet unfinished and waiting for me. Also waiting for me, as she is every morning, was my dear Sunny Juliet, the puppy the Artist knew I needed. “I could live without a dog, but you can’t, so we need a dog.” Then, “Take that motorcycle money. Go get the puppy. Yes, I’m sure.” This puppy (I still call her that) is three years old now, and she has a clear and steady grip on her momma’s morning routine. First the momma gets up to make coffee and brings the first cup (mug) back to bed, where she sits up with a book or a writing tablet. The puppy curls patiently at my side, un chien croissant, or drapes herself over the momma’s feet, biding her time. When the momma gets up a second time, the puppy knows it’s only for a coffee refill, not really “getting up,” per se


"This is subtle, isn't it?" Sunny asks wordlessly.

But when the refill finally begins to cool in the mug, Sunny feels it’s time to make her presence felt with greater immediacy. First she takes a position more demanding of attention than her Sleepy Girl mode. Then, increasingly proactive, she stands up and begins to give kisses. I say “give kisses,” but this move is as much a demand as an offering. Fair enough. She has been a very patient girl for an hour and a half, sometimes even two hours, and that’s long enough! Besides, who can resist a happy, wiggly little dog girl’s kisses? Who would want to try? She's no fool!


My “plans” for the day, laid in advance, were simple. It would be a day at home, just Sunny Juliet and me. We would have our usual morning ramble outdoors before breakfast. Breakfast would be special, with little bites of pancake and bacon for Sunny, besides her usual dog food, and then, while the momma opened a few presents for the two of them, a brand-new beef bone for Sunny to gnaw. And maybe that bone would give the momma some quiet reading time.


Later: waiting for the "Okay!"

Every morning Sunny lets me know when she’s ready for me to get out of bed, even though she knows that going outside is still maybe an hour in the future. If I tarry too long beneath the covers, she lets me know I’m disappointing her (bark! bark! bark!), but once I’m on my feet, her patience returns, and I can have another coffee refill. On this particular Christmas morning I have time to fry up the bacon and assemble separately the dry and wet ingredients for the pancakes I’ll make after our outdoor time, sneaking in a few more pages of my book. 


Five for Sorrow, Ten for Joy is one of Godden’s very Roman Catholic stories. The title refers to the rosary, and the protagonist’s continuing spiritual difficulty over the rosary stems from a painful episode—one of many—in her life journey. Lise, an American, a driver with the Army, arrives in Paris during the joyful chaos of the Liberation. When she becomes lost, on foot, in the crowds, her unintended life in France begins. I won’t spoil the story by revealing the many steps that take her from this beginning to her life in a French convent among a very special order of Dominican nuns, but I will say that the particular convent that comes to be her home sounds very congenial. There is hard work, with long hours, but also farm animals and the beautiful French countryside, and the work, while often dirty, is largely healthy farm work. The sisters eat well, too. Even during fast periods, there are feast days, so while not exactly lenient, the lives of the nuns are not uncompromisingly harsh.

 

In Chapter 8, Godden summarizes a year in the life of the convent called Belle Source, beginning in the earliest signs of spring in February: 

 

The Normandy February was usually wet and cold, but there were days of clear sunshine that reminded Lise of her childhood in England when there might be catkins; the willows turned red and the first snowdrops were out. There were no catkins at Belle Source but she found an early primrose in the bank below the aumônier’s house and a scattering of snowdrops.

 

At New Year’s Eve,

 

Another year was rounded, and nothing anyone could write or say, thought Lise, could tell the whole meaning of each succeeding year, of its unfolding; what is a day-to-day miracle is unexciting because usually it’s so sure—and yet it is a miracle; only if it’s taken away, as in a famine or drought, do we see that.

 

The day-to-day miracle of everyday life is what we so often overlook, isn’t it?


Sunny Juliet: my everyday companion

Living in the country with my dog, operating my little village bookshop, my life has its daily and hourly routines. Christmas Day is a quiet feast day at home. I am enjoying my reading of Rumer Godden and look forward to Daniel Mason’s book. Opening gifts and talking to and texting with family will be a pleasure. Will it sound strange, though, if I say I want to pay special attention today to my dog? The Artist never had a chance to meet her face-to-face, only to see puppy pictures, but this morning as I look at that furry face and into those bright eyes I say to her, “He knew I needed you.” By my side every day and precious in herself, she is a living gift from someone who knew me, who saw me, who loved me. I want to be present with my girl today. She deserves that. She is a miracle. Snow is a miracle. Love is a miracle. Light. Life.


(Now THAT is a Charlie Brown tree!)

-      12/25/2024, 8:25 a.m. And now, out into the snow we go!!!

 

Postscript: Images added before upload and after a lot of activity outdoors. In addition to all the usual neighbors—deer, rabbits, mice, squirrels—this morning we found turkey tracks in the orchard, wandering off into the woods. More miracles all around us! Merry Christmas and Happy Hanukkah, everyone!


Turkey track

Turkey trail

She always finds treasures!


Friday, March 30, 2012

Ideas and Memory as Writer’s Refuge


Thinking the Twentieth Century, by Tony Judt, with Timothy Snyder, is exactly what the title says it is. Conceived as a “spoken book” in the traditional European sense (not, that is, as an audio book but as one proceeding from conversation), it is the last written record of his thoughts by the author before his untimely death at the age of 62 of ALS. It is also a collaboration between two minds well schooled in history and particularly in Eastern European political history and drawing, therefore, on two lifetimes of extensive and catholic reading. As Judt’s conversational partner, Timothy Snyder, remarks in his foreword, “This book makes a case for conversation, but perhaps an even stronger case for reading.”

Judt’s wife, Jennifer A. Homans, says that Tony did not prepare for the weekly two-hour conversations with Tim, that he went into them without notes, and that the two men talked without a break (“Tony Judt: A Final Victory,” New York Review of Books, March 22, 2012). Toward the end of his life, this book was very much what he lived for--clarifying thought, retrieving memory.
For Tony the incentive behind the book—and it had to be a powerful one to overcome the discomfort and depression that were his constant companions—was primarily intellectual, a matter of clarification. ... Sick Tony ... was able, with Tim and through sheer mental and physical exertion, to find some relief and exhilaration in the life of the mind.
The conversations between Judt and Snyder took place in the Judt family apartment in New York City. At their first meeting, Tony was able to walk to meet his friend at the door, although already he could not open the door himself. By their final meeting, he was bedridden and paralyzed except for his head, eyes and vocal chords. It isn’t difficult to imagine how these islands of stimulating conversation must have stood out in a glow of their own for Tony Judt in his last bleak, paralyzed days. Again, Jennifer Homans—
I didn’t fully understand it at the time, but I now see that the dead can extend feelings across the divide separating the living from the ever after. But—and this is a big but—they can only do it if they think of it in advance, before they actually die.
Although the topics covered in Thinking the Twentieth Century are fully as serious as Judt’s earlier Postwar, and the background information assumed every bit as erudite, the structure here and the conversational tone make the book more readily accessible to the nonacademic reader. There are no footnotes. There is no bibliography. This is the work, basically, of a single well-informed mind, speaking to and being drawn out by another. Each chapter begins with a short autobiographical section by Tony Judt, which serves to situate his thought and its development over time. As Ian Buruma observes in the current issue of The New York Review of Books (April 5, 2012),
Passion and skepticism would always be in competition in his mind, as though he were forever debating his own enthusiasms. He has been criticized for being inconsistent in his views. But arguing with oneself, especially with one’s passions, is the mark of a real thinker. And Judt didn’t stop thinking until he drew his last breath. [My emphasis added]
Because Judt never rested dogmatically with any particular view of life or of history, he was able to to bring to his last thoughts both an insider’s and an outsider’s viewpoints on many different beliefs. He was also able to see striking similarities, of a kind indiscernible to true believers, between militantly opposed viewpoints. For instance, in the third chapter of Thinking the Twentieth Century, he spoke to Snyder of Christianity and Marxism as having an important commonality not shared by social democratic liberalism. Both the Christian and the Marxist, he said, can justify inflicting suffering in the present for the sake of a future they believe the suffering will bring—e.g., torturing save immortal souls or murdering for the sake of the Revolution.
...It is one thing to say that I am willing to suffer now for an unknowable but possibly better future. It is quite another to authorize the suffering of others in the name of that same unverifiable hypothesis. This, in my view, is the intellectual sin of the century: passing judgment on the fate of others in the name of their future as you see it, a future in which you may have no investment, but concerning which you claim exclusive and perfect information.
Put another, it’s one thing to be ready to die for a belief and quite another to be ready to kill for it, and the two kinds of readiness are not morally equal.

It was clear to Tony Judt that no one had perfect knowledge of the future and that every political or economic decision, therefore, must be based on very incomplete information. At the same time, he lived every day with the certainty of his own death. Thus, of this book, his wife Jennifer Homans writes, “Thinking the Twentieth Century was a labor on behalf of a future he knew he would not share.”

This is not a review of Judt and Snyder’s book, as I have only reached the fourth chapter in my first reading of it, but Tony Judt is one of my heroes, and it is important to me to say something about his last work before I am completely overwhelmed and rendered speechless by it. As I have been reading the book, I want to quote from page after page, so that by the time I reach the end—well, you see how that would go. So rather than choosing another few lines from the book, my last quotation today comes again from Jennifer Homans and has to do with Tony Judt’s beliefs and this book and with conversation and public debate:
...The only thing he was an idealist about was serious public debate. This was the one thing, along with love, that was always left standing no matter how much was felled by the disease, and so much was. Tony called it the core. To me it was a narrowing beam of light in the darkness that was separating Tony from us all. And if Thinking the Twentieth Century stands in the no-man’s-land between what is and what should be, as I think it does, this is in part because it was driven by the darkness but also part of the light. It was besieged, as he was.
 As is liberalism? As is democracy?