Indoors, winter need not be monochrome. |
Long Days, Long Trails
Though winter days be the shortest of the year, they often seem longest, when for days on end we see not the sun. –The voice of that sentence, although I am its author, is an echo of the long book that occupied my bedtime reading for a week, a novel written in the late 19th century, its story set in the 15th. But more of that anon!
Back to the present year, 2025, Sunny and I encountered a pair of interwoven coyote trails one recent January morning. I noticed that one animal of the pair had veered briefly from the straightaway to leave a circular path before returning to its mate’s side. What was the motivation for that detour? I could spot no clue.
Can you see the circle? |
Closeup of tracks |
We see—and Sunny Juliet scents—the trails of many neighbors in the snow this time of year. We discovered a wild turkey trail on Christmas Day. Deer, coyotes, squirrels, rabbits, mice, and more live near us all year ’round. It is in winter, though, that the paths they take appear most sharply to me, an eye-dependent explorer.
Her nose tells alerts her to secrets hidden in the snow. |
What did you find, girl? |
Long Creations and Events
Thinking how to ease into a discussion of long books, I considered other ways that life’s gifts are enriched by length of time spent on them. Long friendships came first to mind. Then long travels and long residences in particular places: an entire month spent in Paris on my first trip to France; the months the Artist and I spent in our rented mountain cabin in an Arizona ghost town for several winters; past years in Kalamazoo and recent decades in Leelanau. For me there was one year, beginning in January, when I spent an hour each week sitting outdoors in one place, with only a sketchbook in which to make occasional notes, the object being awareness of everything around me in the natural world. Not rushing from one encounter to another or one place to another but immersing oneself over time: That is the common thread, also to be found in reading a long book.
The Artist had a gift for friendship! |
Long, Slow Books
Are long books also always slow books? Maybe others have thoughts on this question. I do think the long book generally invites slow reading. When I first came across The Flowering of New England, by Van Wyck Brooks, earliest (I believe) of his volumes of American literary history, it seemed to take forever to get underway, and for a while I was impatient at his slow setting of the stage, until finally it dawned on me that this was not mere introduction but the overall pace of the book, and my reading spirit slowed to an almost voluptuous pace as the author carried me back in time. Delicious!
When a friend wanted me to read Vikram Seth’s A Suitable Boy, at over a thousand pages, I quailed at the prospect. “Just read the first hundred pages,” she urged. I was thoroughly hooked long before that, and while I thought the novel would last me a complete summer, the month of June saw me from start to finish. Still, an entire month! At that pace, my year’s reading list would be very short! But the aim of a list is not to make it as long as possible, only to keep a record. (Note: I do wish Seth would make good on his promise of a sequel to that story, and I would happily give it a month or even an entire season!)
Book lovers of the long and the slow can hardly omit Proust’s In Search of Lost Time, though I admit I have read and re-read only the first and last volumes of that monumental work. The first volume alone constitutes a long book, not to be hurried through. Proust took pages to describe the angle of light coming through a window, a description which, like descriptions of hand-to-hand fighting in books of swashbuckling adventure, take much more time to put into words than the incidents would take in living time.
But that’s just the point. We’re not in a hurry. We are giving ourselves time! Delicious! And while I read A Suitable Boy in June, winter is the more obvious season for a long, slow book.
A Forgotten Classic
And now I come back to the sheep I left grazing in the first paragraph of this post.
Describing Charles Reade’s The Cloister and the Hearth is a tall order. It is a love story; a tale of innocence lost and redemption found; an epic of the road and a “buddy movie” on printed pages. It is an exposé of the absurdities of war and religion, as well as an encomium for true bravery and piety; a tale of danger and adventure, with cliff-hanger episodes; and a soap opera of characters we come to know better and better as we progress with them through time and their lives’ changes. How likely is it that the hired assassin would be the husband and father of the woman and child the intended victim saved from death in a storm at sea? How believable that the masked woman seeking to wash the wandering friar’s feet as an act of penitence for her sins would be the woman who hired the assassin to kill this very man? In all of Europe, throughout all the countries encompassed by this meandering, melodramatic tale, a small cast of characters intersect again and again, as in a television soap opera—or, truly, in the stories of Victor Hugo or Charles Dickens—but a reader accepts these amazing coincidences, as we do in Hugo or Dickens, realizing that the meetings are integral to the story being woven, a story in which every page draws us further in. We as readers find ourselves deeply invested in these people and their conflicts.
The single illustration in the Modern Library edition. |
What do you think of Chaucer? Maybe find his language difficult? Reade’s on-the-road chapters are written in English close enough to our own that they are much easier to read, with plenty of adventure, danger, violence, humor, and vivid characters that make the Middle Ages seem not so very different from our own times, though there is a strong flavor of Canterbury Tales, as well as echoes of Don Quixote.
I would say more and urge all my friends to seek out this novel, but I realize that an 1880s bestseller, set in the 15th century, has tough competition with so many new books—and worthy, too!—coming out continuously in our own times. I do, however, recommend it, along with Proust, along with Vikram Seth, along with Van Wyck Brooks, Yourcenar’s Memoirs of Hadrian, and others. While Blustery winds blow, you can give yourself a travel vacation without leaving home.
"Except for outdoor adventures, right?" |
Books to Own
My last post contained a paragraph on libraries, with the admission that one need not always buy a book in order to read it, and yet all of us who are lifetime readers surely have a few books that we must own. The list may be short or long and would vary from person to person and household to household. In our home, the Artist and I always had more than one copy of Wind in the Willows, by Kenneth Grahame, along with its human equivalent, Harlan Hubbard’s Shantyboat. I had my Proust, of course, and the Artist his Painting Nature’s Quiet Places, by Thomas Aquinas Daly. Jane Austen and Jim Harrison share shelf space in our home. How many copies of Malabar Farm have I bought and given away? The Artist loved to read Machiavelli but also the Tao Te Ching. In the last weeks of his life, I had finally persuaded him to read The Little Prince, and as he lay unconscious in the hospital I read aloud to him from one of his lifetime favorites, The Count of Monte Cristo.
One reading corner in our old farmhouse |
Rubber band holds cover to text block on this orphan volume. |
Are you immersed in a long book yet this winter? Maybe instead, several of moderate length? What books call your name when the temperature remains stubbornly below the freezing mark for days on end?
For my thoughts on the state funeral of former President Jimmy Carter, visit one of my other of my blogs. Thank you for taking this time with me today.
The book I began reading Thursday evening |
2 comments:
Your comment about many days without sunshine resonated with me as a human and a photographer. Loved the stories and pictures behind the trail thread, too. Always a treat to see what you've written about this time. Thank you.
Thanks, Karen. And I know you noticed my opening image. I needed color!!!
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