Raspberries, Books, and Eudaimonia

Sunny harvesting black raspberries

Too tired after a very busy bookshop day to make another batch of jam on Wednesday evening, I fell asleep over a book until awakened by high winds and rain battering the front porch windows. Time to close windows and go to bed. Up early in the morning, there was time for jam-making, even for a second cup of coffee. 

Mixed with Bardenhagen strawberries

Coming to a rolling boil

My evening reading this week is The Merrimack Valley: A Farm Trilogy, by Jane Brox, which is not the idyllic escape reading you might imagine from the title. Her grandparents came as immigrants, mother’s parents from Italy, father’s from what was then Syria, and life was not a bowl of cherries for anyone. As the author saw local history, stories of “failure” flowed through the lives of valley inhabitants, from indigenous peoples forced out by Europeans to later small farm operators pressured to sell out for financial reasons. Where one generation struggled to make a living, newcomers brought with them (or adopted) different ways of life, and the older ways of living on the land were supplanted by newer methods and technologies, as well as suburban encroachment. 

There was no way to compete with crops being grown more cheaply and efficiently on better soils, or soils that simply had not yet been exhausted. The poorer upland farms were the first to go, though I still see one now and again—a handful of cattle wandering a rocky slope or picking out grasses among the pines, a wrackline of saved, rusted machinery alongside the house. One light selves the night, and every time I pass by I wonder who or how?

- Jane Brox, In the Merrimack Valley: A Farm Trilogy 

The author’s parents hung on in the stony valley. Early on, the family’s original 35 acres deeded to an immigrant grandfather in 1902, though small by standards farther west, was large enough to sustain a dairy herd. When the dairy operation was no longer feasible, her father kept working the orchards (mainly apples) and fields of the popular vegetables (he saved Hubbard squash seed every year) that the family sold at their roadside farmstand each year. Jane made a place in the stand for fresh herbs, but it was corn and tomatoes and beans, squash and pumpkins that the customers wanted. Those and the apples.

Anyone who would plant an orchard must be undaunted by time, willing to wait long years with little chance of seeing the finest seasons. And since an orchard is land narrowed to one crop only, anyone who would plant an orchard must abide by the final decisions. The chosen rootstock, size, variety, the methods of pruning, are promises that can’t be gone back on, promises requiring care to the end.

An orchard is a commitment.

A third-generation Leelanau farmer grows cherries around my home on land leased from another neighbor, but Jane and her sister left their Massachusetts farm, while their brother’s drug use, celibacy (no children to help on the farm), and general unreliability made him an unlikely candidate for another farming generation. Her parents growing old, Jane came home and tried to work with her brother but found it impossible. Then their father died. 

Jane Brox is a poet. (Her father had a hard time seeing writing as work—the fate of many artists whose parents shake their heads over their children's life choices.) Because she lives by words and employs them so masterfully, her stories of “failure” have a beauty not found in most stories of what the world deems success, and even if history is a tragic progression through time (as it so often seems), surely the finding and sharing and preserving of beautiful moments is a worthwhile life’s work. But I have only just begun reading the second book in the Brox trilogy so cannot tell you where it will go in the end. 

My current morning reading (one book for bedtime, another to start a new day) pleases me in a different way.

Aristotle’s Way: How Ancient Wisdom Can Change Your Life was written for a popular audience by one of the foremost classicists in England, Edith Hall, a professor at Kings College, London. Dr. Hall, however, the first woman to have been awarded the Erasmus Medal of the European Academy, is no narrow scholar, and the way she champions Aristotle is, to me, absolutely delightful--undoubtedly because (I admit) it affirms my own preference for Aristotle over Socrates and Plato. 

In her introduction, Hall directly addresses the question of Aristotle’s views on women and slaves, the most troublesome parts of his philosophy for those of us who love all the rest. “I stress,” she writes, “Aristotle’s consistency in arguing that all opinions must always be open to revision."

If you receive incontrovertible evidence that your opinion is wrong, then changing your mind, which some people might condemn as inconstancy, is worthy of high praise. ...[So] I like to think that if we could talk to Aristotle, we could persuade him to revise his opinion on the female brain.

- Edith Hall, Aristotle’s Way: How Ancient Wisdom Can Change Your Life

(And his opinion of slavery, as well, I would add.)

Hall admires Aristotle for the same reasons I hold his writings dear: Aristotle did not see human embodiment as loathsome or regrettable, and he neither accepted nor promulgated absolute rules for behavior. (Dr. Hall finds his writings in many ways “very modern.”) He was interested in the entire physical world (not only life in the polis), in the senses and the emotions, and he was very concerned with the practical matter of how human beings could live good lives.

What was a good, happy life? How could it be achieved? Aristotle wondered about and pondered many aspects of the universe but perhaps this above all—eudaimonia, the good life.

Aristotle thought that general principles are important, but without taking into account the specific circumstances, general principles can often be misleading. This is why some Aristotelians call themselves ‘moral particularists.’ Each situation and dilemma requires detailed engagement with its nitty-gritty particulars.

I love Aristotle’s metaphysics, in that there are no ghostly (Platonic) Forms apart from matter, and I love his idea of the soul (the beginning of action) and his fascination with all of living nature, but it is the primacy of his ethics that, for me, too, makes his philosophy important. Edith Hall’s contention is that his way of looking at Aristotelian ethics is as relevant today as it was for the ancient Greeks. 

I am only in the initial pages of this book but already so excited by it that I couldn’t wait to write something here on the blog and have ordered a couple new paperback copies for store stock. Not that I expect everyone to start loving philosophy, but doesn’t everyone want to be happy? And what if, as Aristotle believed, it is impossible to be happy without trying also to be good? How can you live in such a way as to be happier, no matter what your life situation? 

Confession: I do not wake up happy every day. I miss my life partner, the Artist. Nightmare gremlins can hang on into the morning dark, too. Then, taking only one day off from my bookshop a week this summer and still having a dog to exercise, laundry to do, grass to mow, and gardens to water and weed, I occasionally feel overwhelmed, because whatever needs doing in my home or business, if I don't do it, it doesn't get done.

So it takes dog kisses and good coffee to put me in a better morning mood and remind me what a fortunate life I have. My own bookshop? Sunny Juliet? An old farmhouse with trees and flowers and room for Sunny to play? How lucky is that? It's the life the Artist and I dreamed about for years before we were able to make the dream come true, and I still have everything but him—which is a huge, unfillable lacuna, but still, every moment and every inch of my life is enriched by memories of our life together.

Picking berries and making jam, which seems today like a never-ending task, will soon be at an end for another year, and the fruits of my labors will last all winter long. Come January, I'll be spreading summer sunshine on my toast and sharing it with family and friends. And yes, I can afford to become a sustaining member of Interlochen Public Radio, too. I don’t want to imagine northern Michigan without that resource, and thinking about Aristotle and eudaimonia has inspired me to step up. 

Life is not always easy, but it is good.

Sunny says, "Life is good, and ricotta is delicious!"

Hate and Happiness, Books, Dogs, Gardens

As Popeye always said, "I yam what I yam."

Does somebody out there hate me? Really?

 

Even good friends sometimes forget that I moderate comments on my blog, and they can be frustrated when what they wrote does not appear immediately. I remind them that their comment will show as soon as I hit that little ‘publish’ command. 

 

What does not get my thumbs up is spam in comment disguise, such as, “Gee, this content is really interesting,” with a link to whatever business the spammer (probably a bot rather than a person most of the time) is trying to promote, which can be anything from crypto-“currency” to Caribbean vacations to—well, you get the point. 

 

The other day, though, something really weird showed up. It came from “Anonymous,” who is a frequent commenter, but this time the comment consisted of a single repeated word, in full caps—“DIE DIE DIE,” etc., repeated over two dozen times per line for twenty lines. Such is the strangeness of our world today that I wasn’t even shocked or upset. Way too many scarier things to worry about these days. I am, however, mildly curious. 

 

Did a real person leave this message? If so, was it someone who knows me? A stranger? A regular reader of Books in Northport? Someone who has been in my shop? Or was it not a person at all?

 

Long story shortened here: I marked it as spam and deleted it, and unless I get a confession from a verified human being, I'm going to believe that it was spam—from a IA bot!

"Don't chew on it, Mom." "I won't, Sunny."

 

Happier stuff

But Wednesday was a happy day for me at Dog Ears Books. Although the weather had turned cold again, my heart was warmed by the arrival of the first half of my latest new book order, which included a stack of Lynne Rae Perkins’s latest title. Hooray!!! The publisher (Greenwillow) says At Home in a Faraway Place is for ages 8 to 12, or children in grades 4 through 6, but my personal opinion, as a reader and a bookseller, is that this book, as is true of all books from LRP, is for all ages. I would certainly not want to miss the story myself, though I passed my 12^th birthday—let's just say, a while ago. 

"O frabjous day! Callooh! Callay!” I chortle in my joy.

The box delivered on Wednesday by Ted the UPS man also contained a happy assortment for little ones just being introduced to the wonderful world of books, and the sun even broke through as I was arranging them for a group photo. 

And with MICHIGAN THEMES!!!

Other than that—

 

Sunny takes a little break now and then. 

So does the dog mom.

My life has been the usual round of bookshop, reading, and dog play, with unaccustomed bits of housework (floor scrubbing) and seasonal yard tasks (raking and moving plants to make way for a hardscape renovation, i.e., new boardwalk entrance path to house.

No, I am not doing this work myself!

We had a few days that felt like spring, a short power outage (see previous post), and now the forecast holds the probability of snow again for the first day of spring. But it is, I repeat, a spring snow, not the return of winter, as we transition from snow and ice to mud, mudlicious mud!

 

 

And now, spring break

 

Northport School will be on spring break next week, March 24 to 28; however, after 48 hours spent considering a cross-country trip, I decided there is too much that needs doing at home and in my shop, so Dog Ears Books will be open next week. I may adjust my hours, say, from noon to 4 p.m., but I will be here Wednesday through Saturday, as usual.

P.S. I LOVE Lynne Rae's new book!!!

And HAPPY SPRING, everyone!!!

Seek Comfort and Welcome Joy

Pure joy!!!

Some of you have no doubt realized already that many of my recent topics up to and including this one—courage, loving care, strength, comfort and joy—are not really separate or separable. True it is! Just as our desires are multifaceted and complex, not singular and “pure,” so it is with our emotions. Still, focusing on one aspect at a time can be helpful, and while comfort and joy are important parts of loving care and strength and courage, I want to focus in on the former pair today, because it’s all too easy, when we’re trying to be strong and brave and take care of ourselves and others, to narrow our gaze to difficulty, to all the challenges we face, and lose track of the importance of experiencing—letting in—ongoing comfort and joy. 

 

Joy helps reduce stress in your everyday life, and that’s a good thing, but if stress reduction is all we consider about it, we are selling joy short, judging it good because it’s useful to us, good for us, rather than inviting joy into our lives because we’re alive and because the world is basically beautiful and we are made, I truly believe, for beauty and for joy. 

 

Many people I know are grandparents, the fortunate ones able to interact with grandchildren on a daily basis. “The light of my life,” one grandfather told me of a young grandson, while another friend describes her new granddaughter (quite rightly! I’ve seen pictures!) as irresistible. Others of us, living miles from family, find comfort and joy in friendship, our companion animals, and in the beauty of nature. 

She gets me outdoors!

Spring and summer WILL return!

Music, whether playing it or simply listening to it, is important—and not only Beethoven. Klezmer music, despite the minor key, is joyful, and country music can be. Do you hear the blues as music of a sad sad, downtrodden people? Not if you are playing or singing it yourself or if you read the interpretation of Albert Murray. When the spirit lifts and lungs take in larger breaths, smiles wreath our faces, and laughter bubbles over—joyful responses!

 

Here is a site I found with “joyful literature for dark times.” I’ve read a few of the books listed on that site but have my own favorites, as I’m sure you must, as well. Alexander McCall Smith’s No. 1 Ladies’ Detective Agency books is a series I find both comforting and joyful. Mma Ramotswe is such a kind, thoughtful person, and she loves her country of Botswana so much! 

I love these books.

Do you have a favorite book that you consider joyful and that gives you joy to re-read? Or simply comforting? Have you discovered a new book lately that fits the description? 

 

You might not think a presidential memoir would figure into this discussion, but I am taking a lot of comfort from Jimmy Carter’s Keeping Faith, even when the topics are grim. Reading of such an intelligent, capable, principled man in the White House, who never thought he knew everything but was always eager to learn more, and who did a lot more “politicking” than most Americans realize, makes me glad for the time I’ve had on earth.

 

In the middle of the night, though, when I wake to frightening reality, I turn to a different kind of book, and at present my middle-of-the-night reading is Breckland, by Olive Cook, an early volume in the series of “Regional Books” from Robert Hale, Ltd., of London. These postwar books on various regions of the United Kingdom describe landscape, agriculture, architecture, and so on in close and loving detail. They are not fiction: In these books nothing happens. What a relief! It’s as if you are on a walk, a stroll, a ramble with someone who knows the area intimately and points out what you might otherwise miss. After a day in the “real world” where all too much is happening, it is a great comfort to travel back in time to rural England when and where the horrors of the Second World War were finally over.

 

Online, Dana Frost with her “Forced Joy” project, an idea she had when her husband was diagnosed with cancer and one she had to work hard after he died, looks at how to find joy in grief and loss, and Valerie Kaur, a warrior for revolutionary love, writes and talks about how we can focus on love and joy in the midst of hatred and violence. 

Big pot of soup!

Batch of homemade flatbread --

I also watch a few short videos online, including Sean the Sheepman and chef Jacques Pépin. Dogs and cooking are important sources of joy for me, so watching Sean and Jacques at work is a quiet, comforting pleasure. Border collies are still working sheep, and Jacques is still glazing carrots. Ah, how lovely!

 

Painted rock, gift from a dear friend

When you do an online search for “joy” topics, one of the suggestions that comes up over and over is to look for joy in small, ordinary moments, something I’ve done for years. It was crucial back when the Artist and I were so “poor” (in financial terms) that going out for coffee was a splurge, and now cultivating gratitude for small pleasures in my life alone is just as crucial. 

Pleasure and happiness and comfort and joy are hardly interchangeable terms, but joy can be quiet and blend into comfort, don’t you think? Can’t we experience joy in silent contentment, as well as in glad shouts? More than gratitude, I see quiet joy as the realization of all we have for which to be grateful, a kind of overflowing fullness in the moment. 

 

Where do you find yours? Where do you look for it? Are you giving it a big welcome?

The sun was shining!

We played!

“It’s Beginning to Look a Lot Like…”

Early morning, and I sit happily here under my Christmas tree! It’s only a foot and a half tall, but it perches atop one of my bookcases, so when I sit in the closest chair to that bookcase, as I am doing this morning, I look up at the lighted tree above. Yes, lighted! Our grandson’s family sent a string of tiny battery-operated lights just the right size for an 18” tree, so after sunset last night and early this morning I turned on the tree lights and am absurdly pleased. Adding to the effect and my happiness is the shape of the lights: each one is a miniature Eiffel Tower!

Next to the tree, what started out as a neat stack of holiday cards (actually, in the beginning I was standing them up until there were too many for the space) is now a sweet, slippy, messy pile, telling me every time I look that way that faraway friends have remembered me. There are also little presents that arrived early, and rather than put them away I arranged them on top of the bookcase where they make me smile, reminding me of family who love me.

 

On the table are pots of poinsettias that a neighbor bought for a dinner party and then passed along to me. So bright and beautiful! 

As is true for so many of you, I was happy to have the winter solstice arrive and to know that our hours of daylight will now grow longer and longer, but at the same time, with lights on my little tree I look forward to the dark of evening and don’t mind the dark of early morning, either. 

 

Funny how much difference a few tiny lights can make, isn’t it? 

Happy Holidays –

Let your little lights shine!

Just Out the Door and Down the Road

This morning’s sky confirmed the forecast I’ve been seeing on my phone for several days: we’re in for a rainy day — and that’s not bad. A day of rain now and then damps down the risk of fire, a good thing in the high desert. The prediction for the next nine days following today’s rain is for mostly sun with a few clouds. Today we're in for an all-day soaker. Fine.

We made an afternoon expedition on Saturday to the spectacularly beautiful Chiricahua National Monument, where crowds I expected to see on a holiday weekend were largely absent. Absent also (and this was a real blessing) was the strong, cold wind we normally encounter up on Massai Point. Although the air temperature kept dropping as we wound our way to the 6,870-ft. peak, and we saw increasingly larger patches of snow along the narrow, winding road, sunshine was absolutely glaring when we reached the high end of the road, and on a strategically placed bench, looking out over the astonishing hoodoos, across the 40-square-mile playa and surrounding Sulphur Springs Valley to the Dragoon Mountains seventy miles to the west, we were out of even the slightest breeze and content to soak up sun to our hearts’ content.

After five years, I’m finally getting some light grip on the geology of Cochise County, Arizona, and the sky islands of this basin-and-range country. At least, I think I am, but don’t quiz me. Instead, correct me if you think I’ve gone astray. 

To understand the formation of the Chiricahua range, we have to go back twenty-seven million years and the movement of tectonic plates those 27,000,000 years ago, when the molten core of the earth was much more active and closer to the surface than it is in Arizona today. Back then a dense oceanic plate of basalt was overridden by a lighter plate of granite (the North American plate, moving west in true though still prehistoric North American fashion), and as the resulting collision (friction?) increased both rock and water temperature, the former melted as it mixed with the already molten mantle. 

Just south of the Monument (which in itself occupies only a portion of the entire Chiricahua range) are the remains of what is known as the Turkey Creek Caldera. There a magma chamber broke through the earth’s crust and spewed burning gas, ash, and lava over 1,200 square miles in an explosion estimated to be five to ten times larger than the historic Krakatoa eruption in 1883. 

Turkey Creek is so calm and quiet today that it’s almost impossible to picture the nuée ardente — scorching rain! — that flew upward from the prehistoric volcano and flowed outward at over 100 miles an hour as a burning avalanche! In time, of course, the magma cooled and hardened, forming a rhyolite bedrock over eight hundred feet thick. And that and similar eruptions were the birth of the Chiricahua mountains.

But basin and range land is not created by volcanos alone. Once the dramatic volcanic events are over and plate movement slows down, everything gradually cools, and it is then that the cooling masses of rock, slowly but irresistibly, shove against each other, faulting, tilting, and lifting some segments up, while the surrounding basins sink. The creation of Arizona’s sky islands, then — these fault-block mountain ranges that rise up from a nearly level sea (though 4,000+ feet above sea level) of grassland and desert — was very unlike that of the folded Appalachians with their more gradual slopes. 

Nor, however, is faulting, tilting, and rising the end of the story, because subsequently comes the much slower action of weathering. Wind and water (in liquid and solid form) take starring roles in the weathering story but achieve their dramatic effects at very undramatic speed.

Formed by case hardening caused by the amorphous silica left behind after precipitated water evaporates off the surface of the rock formations, pinnacles in Chiricahua National Monument were formed by the freezing and thawing of water during the last ice age approximately ten thousand years ago. 

- William Ascarza, Chiricahua Mountains: History and Nature

Sculpted rhyolite makes for stunning scenes in Chiricahua, where jointed columns of rock invite “the entry of water, instigating chemical and physical weathering.”

Less spectacular but as much a part of the geologic story as the hoodoos are “solution pans” and “slot canyons,” the latter “forty times deeper than they are wide” (Ibid.).

We do not always think about it when admiring mountain hoodoos and the other rock formations we find so amazing, but weathering is a relentlessly ongoing process, continuing in our own age, day by day. Saturday there were pockets of snow in the mountains. As sun reached some of them, that snow melted, and meltwater sought out cracks through which it could descend to creeks and rills headed for the playa. Perhaps that ultimate destination would not be reached, but water would push its way along as far as possible, carrying with it occasional small bits of rock and stone. 

And on the other side of the mountain from where we found our sheltered bench, wind was doing the work it does night and day.

Because of weathering, all the sky island peaks have been worn down from their original height, and the valleys — recipients of eroded mountain material — have gained in elevation. Today’s rain is a geologic drop in the bucket, but each raindrop, each snowflake, contributes to the cumulative effect.

The Artist and I never view Chiricahua with jaded eyes. Every visit feels like the first time, so unusual and fascinating and mentally challenging are the sights. For me, though, the presence of tall, green trees is almost as exciting as the rock formations. Down in our winter ghost town we have only mesquite and netleaf hackberry, whereas in Chiricahua there are beautiful alligator juniper, Gambel oaks, Douglas firs, and stately Ponderosa pine. We are so very lucky, we tell each other, to have all this natural beauty practically in our backyard! It doesn’t even have to be a day trip: half a day gets us there, gives us time for a walk and a picnic, and gets us back to our own Dos Cabezas, which are, literally, in our backyard, so that coming back home at the end of the day is never a disappointment.

Back in Michigan, where we live maybe a mile from the glory of Lake Michigan, we don’t see the water from our windows, but neither do we pay lakeshore property tax or worry that rising lake levels will carry off our home. The closest road to the Lake is private, so we have to take a little ride to get to a beach, but it isn’t all that far, and on mornings after stormy, windy nights we can hear the waves from our front door. Thus it is well within our reach, that glory — even closer than it was when we lived in Kalamazoo and I occasionally needed a 100-mile evening round trip so I could walk on the beach to unwind after a day of work at a job I did not love.

I was lucky even in my girlhood, when the house my parents bought for our move from South Dakota to Illinois was on the last street of a subdivision, out beyond the city limits, with a working farm across the road to the west. How hungrily and greedily and gratefully, too, I watched thunderstorms and sunsets in that open expanse from our enclosed front porch! 

South Dakota, Illinois, Michigan, Arizona. Fields, lakes, desert, mountains. Just outside the door or maybe a little way down the road, open spaces and natural beauty have always helped me breathe deeply and filled me with peace.

Sources: 

1. Ascarzs, William. Chiricahua Mountains: History and Nature (Charleston, SC: Natural History Press, 2014)

2. Gilluly, James; A. C. Waters; & A. O. Woodford. Principles of Geology, 2nd ed. (San Francisco: W. H. Freeman & Co., 1959).

My Beautiful Things

Male peacock at Holy Trinity Monastery, St. David, AZ

Years ago, the first time I ever visited a U.P. friend in her house, I came back out, bubbling over with enthusiasm, to the car where the Artist had waited. “She has rocks everywhere, hand-made quilts — books, of course — even a wasp’s nest!” He asked, “Does she have objets de vertu?” The phrase was French but not familiar to me, and I asked what it meant. “Beautiful things,” he told me. I was taken aback (why was he even asking?) and protested, “I already told you she has a wasp’s nest!” 

My Upper Peninsula friend had a kitchen full of her home-canning projects and a living room overflowing with books. Out on her porch were numerous wind chimes. She had chickens! I found her world enchanting, chickens included, because just as Amy March envied girls with nice noses, I always envy girls and women with horses and/or chickens. Chickens, whether beautiful or not (and chickens do vary in looks), all make those lovely, soothing, soft clucking sounds. And my grandmother had chickens, so there’s that, too.

Male in full display mode

I’ve never yearned for peacocks, but we enjoy seeing them at Holy Trinity Monastery south of St. David, and the males were in full display on our last visit, where we lingered to watch them. If only this male had displayed against some background other than green shrubbery! Well, the monastery is always a peaceful place, as it should be, away from the larger world’s hustle and bustle. — Not that our ghost town winter is characterized by hustle and bustle, except for bombardments of daily news, and even those are easily left behind, simply by walking out the door and into the quiet desert. 

Peahens are beautiful, too, in their quieter way.

But birds, lovely though they be, are leading me away from my subject -- the one I have not even begun to address -- which is: my own beautiful things. 

Cheap, modest beauty

Things I buy for myself are rarely new or expensive, particularly during my winter seasonal retirement, when five dollars on a non-necessity is a splurge that comes straight out of the grocery budget. I have to think very carefully before taking the plunge. Crucial question: Is this something that will give me lasting pleasure? Last year I splurged on an unframed painting at an estate sale, something I still look at often and enjoy, and the latest self-indulgence this year is another painting, this one a complicated Chinese scene from the past, appearing to represent an important dignitary arriving by horseback (in a village, perhaps?), preceded by an entourage to announce his arrival. I particularly like the little black dog cavorting in the background at the upper left. I like the touch of whimsy and the real-world feeling that little dog adds to the scene.

Not one of those subtle, understated and exquisite nature studies from a Japanese master, still this work charms me and will, I’m sure, continue to do so. In the same vein, I recently bought four small Navajo sand paintings, their artists identified by name and photo on the backs. These, of course, have spiritual significance, as well as aesthetic excellence, and they could not be more at home here in Arizona, so how could I resist? 

(Fourth is over my desk.)

And with the newly acquired Chinese and Navajo works, the walls of my little reading and writing corner are full, so now, shelves full of books (beautiful to me), writing tablets stacked on the desk, ephemera and mementoes tucked into the frame of the mirror, art on the walls, boots (when I’m not wearing them) propped in the corner between bookshelves (one pair) and (the other) perched high above, the entire corner gives joy to my soul. All of these are material objects. All beautiful to me, each adds to my happiness and contentment, and I love them in ensemble, both night and day.