Elsewhere, Elsewhen

Green moss in winter

These things are no more, and the feeling I am telling here … may have perished, too. It felt like the tide had gone out and taken all the ships with it, and you were left on a shore, a debris.

 

-      Niall Williams, This is Happiness

 

I had no celebratory plans for St. Patrick’s Day, either for the day itself or for the preceding weekend. Saturday would see me in my bookshop, and maybe Sunny and I would get up to the dog park on Sunday, if the weather didn’t turn wretched, but forebodings were somewhat against us. Ay, that’s March!

 

Without thinking, anyway, of St. Paddy on—was it Thursday or Friday? No matter—I picked up a paperback novel with blurbs on the back cover looking good enough that I thought I’d give it a try. I needed a new bedtime book, having stretched Olive Cook’s Breckland out about as long as possible, setting it aside repeatedly, both to read other books (both fiction and nonfiction) and also to make it last, then returning to it time and time again when sleep eluded me in the wee small hours, until finally, against my will, I reluctantly reached the last page. 

 

So now I would read Niall Williams’s This Is Happiness. At least, I would begin the novel and see if it held me. And now, to say that it did hold me did is to make a massive understatement.

 

The fact is, I did not appreciate until much later in my life what subterfuge and sacrifice it took to be independent and undefeated by the pressures of reality. 

 

The narrator, an old man—well, exactly my own age!—is recounting a time much earlier in his life when, as a lad of seventeen years, he left the seminary in Dublin with lost faith and went to live for a while with his grandparents in a remote Irish village during the time that electricity, long promised to the village, came at last. The manner of its coming is not incidental to the story but woven into its essence. Here is the man who has come to the village of Faha to supervise the installation of poles and lines:

 

Everybody carries a world. But some people change the air about them. That’s the best I can say. It can’t be explained, only felt. He was easy in himself. Maybe that was the first thing. He didn’t feel the need to fill the quiet and had the confidence of the storyteller when the story is still unpacked, its snaps not yet released. 

 

And here are the strains of music woven into the story:

 

The quiet of country life can sit on your heart like a stone. To lift it, to escape the boundaries of myself awhile, I took down the fiddle.

 

One of the things about Irish music is how one tune can enter another. You begin with one reel, and with no clear intention of where you will be going after that, but halfway through it will sort of call up the next so that one reel becomes another and another after that, and unlike the clear-edged definitions of songs, the music keeps linking, making this sound-map even as it travels it, so player and listener are taken away and time and space are defeated. You’re in an elsewhere. Something like that.

 

So now, thoroughly charmed and engaged, I read myself to sleep on Friday evening and again when I woke in the dark hours of Saturday morning, but only when dashing off an e-mail to my sisters on Saturday afternoon from the shop and mentioning the book did I realize what a timely choice I had made. Irish! How appropriate!

Woolly bear woke up on Friday!

The temperature rose to 70 degrees in Northport on Saturday, and the sun shone bright, but the wind blew like the devil, gusting up to 50 mph. (So much for my having swept the sidewalk with the push broom two days before!) Sunshine brought people out of their houses, and the wind in Traverse City—worse than we had in Northport, I was told—sent some of them clear up to Northport, so it was a fairly lively bookshop day, and only late in the afternoon, while a couple from Ann Arbor were happily browsing, did the power go out on Waukazoo Street. First the lights flickered, then went out briefly and came back on again, that happening two or three times, until finally they stayed off for good. Luckily, my happy customers were undeterred. We had a meeting of hearts and minds as their choices were books by Wendell Berry and Robert Reich. Closing up then, I only hoped the power would still be on at my house when I got home.

 

It was not. No lights. No furnace. No pump.

 

But I was prepared for a power outage with two deep stockpots filled with water and a brand-new, long-handled lighter so I wouldn’t need to risk fingers by lighting the stove with a match. Right away I lit my two fat candles and sorted through the collection of oil lamps for one with a good wick, cleaned the glass chimney, and filled the reservoir with oil. Success! The power company thought electricity would be back on by 3 a.m., I was at first dubious, but a look at the overnight forecast showed the winds gradually dying down, so maybe….

 

But we would be fine, Sunny and I, and now my reading choice struck me as even more appropriate. I had only reached Chapter 18, not even the halfway point of the novel, and while Noel’s grandparents had a crank telephone, the only one in the village, no one yet had the promised electricity. That was the fiction. Meanwhile, here in my “real” world I was all set with candles and oil lamps and a cell phone with 80% of its charge. Wind blowing demonically around my old farmhouse, dog lying across my feet, I felt a strong sense of kinship to the people of my own grandfather’s native land, back in times that were difficult and challenging in many ways but much simpler and probably more satisfying in others.

I haven’t said a word about the slowly unwinding plot of Williams’s novel and won’t get into that now. For me, it is the world of the story that matters. Early in my reading of it, I snapped a photo of the cover to send to my stepdaughter and texted her this brief message: “I am elsewhere. It is beautiful and restful.” So then, continuing my reading, I was struck by the passage quoted above about the Irish reels defeating time and space. Elsewhere! Yes!

 

Another of my Saturday customers was a young woman who said that if she could have a superpower, it would be to travel back in time for a day, not to intervene in history but simply to be there in that time. She agreed with me when I remarked that such is the magic of books. 

 

Friday and Saturday nights, Sunday morning in the United States in the year 2025: Snow sifts in shifting veils from the barn roof. I am elsewhere, elsewhen.

Happy St. Patrick's Day to you all, Irish or otherwise.

Sunday morning...

...snow in Leelanau.